Venezuela has the largest proven oil reserves in the world. It was once so rich that Concorde used to fly from Caracas to Paris. But in the last three years its economy has collapsed. Hunger has gripped the nation for years. Now, it’s killing people and animals that are dying of starvation. The Venezuelan government knows, but won’t admit it!!! Four in five Venezuelans live in poverty. People queue for hours to buy food. Much of the time they go without. People are also dying from a lack of medicines. Inflation is at 82,766% and there are warnings it could exceed one million per cent by the end of this year. Venezuelans are trying to get out. The UN says 2.3 million people have fled the country - 7% of the population.

Sunday, July 31, 2011

The 25 Best Film Schools Rankings...Do you a agree?


From the American Film Institute to France's La Femis, see which institutions made The Hollywood Reporter's inaugural list.
Hollywood talent as diverse as Martin Scorsese, Lisa Cholodenko, George Lucas and Joss Whedon got their start at a film school, all of which are named and ranked here on The Hollywood Reporter's inaugural list (comprised with help from industry insiders) of the world's best.

Ira Deutchman New Chair of Columbia's Film School (Exclusive)
1. American Film Institute
Among the most selective film schools in America, AFI's Center for Advanced Film and Television Studies in Los Angeles offers a two-year conservatory program where students specialize in fields including directing, producing and writing, often coming to the institute after working in the industry or having attended other schools. Its "fellows" are typically more mature (average age is 27) and benefit from speakers and teachers drawn from the highest levels of the industry, supported by the full weight of AFI itself. Comparing it to cross-town rivals UCLA and USC is a bit of apples-and-oranges, given its small size and emphasis on specialization, but AFI's glittering parade of alumni, from David Lynch to Darren Aronofsky, remains unrivaled when it comes to auteur filmmakers. Students are guaranteed the freedom to make a thesis film and are given access to SAG members for their casts and $13,500 in financing. If you know where you're going, AFI can get you there.
TUITION $38,416 for first year; $37,112 for second year (plus $8,033 for thesis)
DEGREES MFA, certificate of completion
NOTABLE ALUMNI Terrence Malick (The Tree of Life), David Lynch (Blue Velvet), Darren Aronofsky (Black Swan)
"I love AFI and would be nowhere without it." -- David Lynch
2. University of Southern California
The richest film school in the world (alum George Lucas contributed $175 million, and alum Robert Zemeckis has given a bundle, too), USC probably has more graduates working in the industry than any other school and has the greatest support from the industry itself, with 10,000-plus alums who routinely donate millions for state-of-the-art facilities -- and notable support from non-graduate Steven Spielberg. Its Peter Stark Producing Program, under The Graduate producer Larry Turman, remains the premier venue for aspiring producers and execs. Insiders were split when asked to choose between AFI and USC for the No. 1 spot, with AFI winning largely on the basis of its choice student body. But USC takes the candle when it comes to technical training. Says Dean Elizabeth M. Daley: "One of the hardest things to understand is the culture of filmmaking. You're not gonna get that out of a book. Come here and you'll understand." She's right, thanks to unrivaled facilities, an emphasis on film history and technique and its great ties with Hollywood -- a plus for some, but not for those more interested in indie films. The upside: It's a vast dream factory. The downside: It's a vast dream factory.
TUITION $42,000 (plus room and board)
DEGREES Critical studies, B.A., M.A., MFA and Ph.D. programs in everything from film and TV to animation and digital arts
NOTABLE ALUMNI George Lucas (Star Wars), Ron Howard (A Beautiful Mind), Jon Landau (Avatar)
"USC is run in many ways like a studio. The challenges that were given to us had to do with the realities of the industry and financing, and I think those were important lessons to learn." -- Lee Unkrich, director, Toy Story 3
3. Beijing Film Academy
If one film school anywhere in the world has shaped a whole nation, it's the Beijing Film Academy, China's most elite school for film direction, production and writing. Each year, it accepts about 500 applicants -- primarily from China -- out of 100,000. The school is a source of new talent for film and TV production and closely linked with the nearby Beijing Film Studio. It's also the place where such directors as Zhang Yimou and Chen Kaige -- the ones who created arguably the most distinct new wave of filmmaking since America in the early 1970s -- cut their teeth. (At 27, Zhang had to get special permission to attend after the Cultural Revolution because he had passed the cut-off age.)
TUITION Program fees range from $1,240 to $1,550 for local students; international students pay $6,665 to $7,905 per year for film programs. Partial and full scholarships are available based on need and merit and are awarded on an individual basis.
DEGREES B.A., M.A. and Ph.D. programs in everything from performance and direction to cinematography and animation. All degree programs are conducted in Chinese, though international students may take some courses in English or study Chinese at the Film Academy.
NOTABLE ALUMNI Zhang Yimou (House of Flying Daggers), Chen Kaige (Farewell My Concubine), Tian Zhuangzhuang (The Blue Kite)
4. New York University Tisch School of the Arts
To study film in New York is to plunge into the belly of a very different beast than Hollywood, but for gritty artists like Martin Scorsese, Oliver Stone and Breaking Bad creator Vince Gilligan, NYU has proved a direct route to the top. Where else can you sit in a class of 12 and hear alum James Franco teach you how to turn a poem into a movie? Graduates also vie for a $200,000 prize to complete a debut feature film -- a gift no other school offers. In addition to its New York campus, Tisch School of the Arts Asia, located in Singapore, offers MFA degrees in animation and digital arts, dramatic writing and film production. Summer programs include professional workshops and noncredit certificate courses.
TUITION $45,674
DEGREES B.A., BFA, MFA, MPS, M.A. and Ph.D. degrees in moving-image archiving and preservation as well as performance studies or cinema studies
NOTABLE ALUMNI Todd Phillips (The Hangover), Joel Coen (No Country for Old Men), Charlie Kaufman (Being John Malkovich)
"Getting accepted to Tisch meant one thing to me: hope. It validated all of my dreams and made the concept of becoming a filmmaker a tangible possibility. Teachers like Tom Drysdale and Haig Manoogian inspired me, infusing me with a lifelong passion for cinema history. I carry their artistic philosophy with me on every film: Never compromise, never stop asking questions and never stop being a student of film." -- Chris Columbus, writer-director, Harry Potter and the Chamber of Secrets
5. University of California Los Angeles
UCLA's School of Theater, Film and Television has long suffered in comparison with its richer and more industry-connected rival USC, but its vibe is distinctly different, with a multicultural campus that ranks among the best in California. It has benefited from such prestigious graduates as Francis Ford Coppola and Alexander Payne; from teachers like producer Peter Guber; and from its connection with the respected UCLA Film & Television Archive, whose collection is "second only to the Library of Congress," according to Dean Teri Schwartz. The well-regarded Schwartz will likely determine UCLA's future standing: After serving for years at Loyola Marymount, the former producer (and Goldie Hawn's onetime producing partner) joined the university in 2009, replacing veteran Robert Rosen. Now insiders are waiting to see how things will change under her leadership. Look for her to stress "humanistic storytelling and global diversity" -- quite different from the commercial emphasis of many other film schools.
TUITION B.A.: $12,842 (California resident), $35,720 (non-resident); MFA: $22,208 (California resident), $34,453 (non-resident); M.A. or Ph.D.: $13,549 (California resident), $28,651 (non-resident)
DEGREES B.A., M.A., MFA and Ph.D.
NOTABLE ALUMNI Francis Ford Coppola (The Godfather), Tim Robbins (Dead Man Walking), Alexander Payne (Sideways)
"The key is having a point of view -- which is very much the UCLA approach. You could say UCLA filmmakers try to bring an indie attitude even to studio pictures. We always try to find some kind of subjectivity." -- Justin Lin, director, Fast Five
6. California Institute of the Arts
CalArts is way beyond what founder Walt Disney could imagine. "It is a paradox, an experimental art school," says CalArts School of Film/Video Dean Steve Anker. "You usually have music, theater, dance conservatories and art schools, but you don't have them under the same roof." Anker's film/video school is most famous for training animation talents, but besides character-based and experimental animation, you can study dramatic narrative, documentary, experimental live action, multimedia and installation. CalArts-spawned geniuses like John Lasseter and Tim Burton can do more than draw -- they can draw on the artistic talents around them. Says Anker: "CalArts in general, and certainly the school of film and video, is this very large laboratory for the creative arts." "Large" is right: The classrooms occupy 11 acres' worth of square footage 30 miles north of Los Angeles.
TUITION $37,684
DEGREES BFA, MFA in film, video and experimental animation; MFA in film directing; BFA in character animation
NOTABLE ALUMNI Tim Burton (Alice in Wonderland), Andrew Stanton (Finding Nemo), John Lasseter (chief creative officer, Pixar)
"I have so many great memories of CalArts. Sitting in the dark, hunched over the old Oxberry camera, shooting my film. The giant papier-mache butt from someone's art installation in the main gallery. Playing Lazer Tag in the empty halls in the middle of the night. But what I remember most are all the great friends that I made, many of whom I work alongside today." -- Don Hall, co-director, Winnie the Pooh
7. The Film and TV School of the Academy of Performing Arts in Prague
Located in the "city of 1,000 spires and 29 McDonald's," as expatriates like to say, FAMU is the fifth-oldest film school in the world and one of the most prestigious. Created in 1946 when Prague was behind the Iron Curtain, it helped develop such iconoclastic filmmakers as Milos Forman, Ivan Passer, Agnieszka Holland, Emir Kusturica and Jiri Menzel and served as a hub for student rebels during Czechoslovakia's Velvet Revolution. With classes in Czech and English, its reputation is still strong enough that it draws many foreigners to its nine departments (ranging from still photography to documentaries to screenwriting), something helped by partnerships with NYU's Tisch School of the Arts, American University and Yale, all of which offer study-abroad programs there.
TUITION $45,674
DEGREES MFA in cinema and digital media
NOTABLE ALUMNI Milos Forman (Amadeus), Emir Kusturica (Black Cat, White Cat), Agnieszka Holland (The Killing)
"I believe deeply that in any film school, you can learn as much, or even more, from the fellow students as from the teachers. But in FAMU in the late 1960s and early '70s, when I was studying, some of the teachers were great. My main instructor Karel Kachyna was indeed one of the most skilled directors of his generation. Jan Matejovsky in the television directing department taught us how to be diplomatic with actors, crew and producers. I still use his very useful advice." -- Agnieszka Holland
8. Columbia University School of the Arts
You know when James Schamus is one of your professors, things can't be too bad. Schamus, the head of Focus Features (who recently completed a doctorate on Carl Theodor Dreyer), is just one of the feathers in this Ivy League university's cap. Another is Oscar winner Milos Forman, the school's longtime leader. Then there's a staff that includes Barbara De Fina (Goodfellas) and Mira Nair (Monsoon Wedding). Names like these give Columbia intellectual credentials that dwarf its peers and have helped attract such alumni as Kathryn Bigelow, Lisa Cholodenko, James Mangold and Kimberly Peirce -- not necessarily Hollywood's most commercial filmmakers, but always among its most original. Will it remain that way under its new chair, Fine Line Features founder and indie exec Ira Deutchman? Deutchman insists on story and collaboration -- two Hollywood ideals -- yet stresses the importance of the artist. "You have to keep an eye on the business, but it's first and foremost about creating artists," he says.
TUITION MFA first and second years: $50,873 per year; M.A.: $44,264
DEGREES MFA in film; M.A. in film studies
NOTABLE ALUMNI Kathryn Bigelow (The Hurt Locker), Lisa Cholodenko (The Kids Are All Right), Nicole Holofcener (Walking and Talking)
"My years in the film program taught me the craft of screenwriting as well as the business of making movies. In so many ways, Columbia was the perfect combination of arts: conservatory and trade school, a place where I could read Aristotle and Eisenstein on narrative theory and analyze budgets and box office like a science. The lessons learned at Columbia -- how to analyze and synthesize perspectives, how to treat your work as an ever-evolving document -- serve me every day." -- Simon Kinberg, screenwriter, X-Men: The Last Stand
9. Wesleyan University
OK, so everyone knows about the Hollywood infiltration of places like USC and UCLA. But they might be surprised to learn that Wesleyan's Film Studies program is giving those two a run for their money, with a tight-knit group of alumni that includes Michael Bay, Akiva Goldsman, Joss Whedon, Larry Mark and Rick Nicita. They and others were drawn to the Middletown, Conn.-based university not just because of the cozy feeling or its tradition in the liberal arts but largely because of the reputation of film department founder Jeanine Basinger, who makes each of her 80 film majors learn to write, direct and edit a movie by hand (yes, they learn digital, too) as well as study other subjects to enrich their films. Of course, if they want to know about movies, they can turn to Wesleyan's archive, which includes the papers of Frank Capra, Martin Scorsese, Federico Fellini and Clint Eastwood. "If you're studying On the Waterfront, you can look at Elia Kazan's notebook," Basinger says. "It's an amazing experience."
TUITION $55,736 (includes room and board)
DEGREES B.A. in film studies
NOTABLE ALUMNI Miguel Arteta (The Good Girl), Michael Bay (Transformers), Zak Penn (X-Men: The Last Stand)
10. The National Film and Television School
For decades, the then-National Film School wasn't just the best place to study filmmaking in the U.K. -- it was pretty much the only one. That's now changed, but the NFTS has retained the stature that went with it despite a Beaconsfield location (away from the hub of filmmaking in London) and, until recently, dirt-poor facilities. Now it boasts a new building; a bunch of new programs; an innovative leader in indie producer Nik Powell; teachers like Stephen Frears; and access to Britain's thriving movie and TV industry through development deals with Channel 4, the BBC and Aardman. That has provided avenues for such graduates as cinematographer Roger Deakins and directors Lynne Ramsey, Nick Broomfield and David Yates.
TUITION $14,300 for residents; $32,000 for overseas students
DEGREES M.A. in film and TV
NOTABLE ALUMNI David Yates (Harry Potter and the Deathly Hallows Parts 1 and 2), Nick Park (Wallace & Gromit), Beeban Kidron (Bridget Jones: The Edge of Reason)
"I would not be making films in Hollywood without it. The NFTS was absolutely vital." -- Michael Caton-Jones, director, Scandal
11. La Femis
Founded in 1986 by Cultural Minister Jack Lang, La Femis is France's most prestigious film school. So prestigious, in fact, that only three percent of students who take the entrance exam are accepted by the state-run academy whose grads typically go on to win prizes at film festivals across the globe.
TUITION $517 for French citizens; $15,334 for foreigners
DEGREES Undergraduate degrees in screenwriting, directing, producing, sound design, editing and film distribution
NOTABLE ALUMNI Francois Ozon (Swimming Pool), Noemie Lvovsky (Feelings), Celine Sciamma (Tomboy)
12. University of North Carolina School of the Arts
Don't come to Carolina unless you're serious about filmmaking. Academically rigorous, the UNC School of the Arts is a plunge into film in collaboration with drama, music, dance, design and production studies and a 65-piece orchestra. By the third year, you're shadowing the likes of director David Gordon Green. "Our graduates have made films that receive hundreds of millions of dollars and on the other side of the spectrum won the Grand Prix at Cannes this year," says Dean Jordan Kerner. Coming soon: a new animation and gaming building.
TUITION $4,716 for residents; $17,665 for non-residents
DEGREES BFA in animation, art direction, cinematography, directing, editing and sound, producing and screenwriting. MFA in film music composition.
NOTABLE ALUMNI David Gordon Green (Pineapple Express), Danny McBride (Eastbound & Down), Jody Hill (Observe and Report)
"I feel like UNCSA's film school provided me with an exceptionally practical filmmaking education. You definitely learned about theory. You watched lots of films, but more than anything else, you made movies. You were always pitching your own ideas or getting feedback. You were always on a set or in an editing suite. Always. So I've found the industry to be, in many ways, just a bigger version of the world I knew from school." -- Travis Beacham, screenwriter, Clash of the Titans
13. University of Texas at Austin
Ever since Richard Linklater made Austin famous in 1991's Slacker, slacking is about the last thing anyone in UT's Department of Radio-Television-Film has done. With South by Southwest and a thriving indie scene swirling around them, they churn out work in a professional TV studio, two soundstages and digital picture, audio, editing and postproduction suites. And then half of the RTF students do two or more internships. Screenwriters mix with poets and fiction writers in the nationally ranked Michener Center MFA program.
TUITION $4,832 for Texas residents; $15,995 for non-residents; $4,371 for full-time graduate Texas residents; $8,228 for graduate non-residents
DEGREES B.S. in radio-television-film, MFA in film and media production, MFA in screenwriting
NOTABLE ALUMNI Robert Rodriguez (Machete), Matthew McConaughey (The Lincoln Lawyer), Bruce Hendricks (former president of physical production at Walt Disney Studios)
"When I acted in Dazed and Confused [during the summer before his senior year at the University of Texas], it introduced me to the challenges and triumphs involved in producing an independent film. Being a part of the Austin film scene at the time helped me get my start."-- Matthew McConaughey
14. The Polish National Film, Television and Theater School
Lodz, as the school is typically called, has produced virtually all the elder statesmen of Polish cinema -- Andrzej Wajda, Jerzy Skolimowski, Krzysztof Zanussi and the late Krzysztof Kieslowski came out of the facility, which was established in 1948. After the fall of Communism, Lodz expanded and acquired modern film equipment, and the acting department was revamped to stay in step with new media and the changing times -- actors were taught simultaneously to work in theater, film and television. The school has continued to expand by establishing new departments such as production, editing, script writing, photography, digital technology and TV journalism.
TUITION $8,600-$15,800, depending on the program; students of Polish descent get a 30 percent reduction
DEGREES B.A., M.A., Ph.D., Professor
NOTABLE ALUMNI Andrzej Wajda (Ashes and Diamonds), Krzysztof Kieslowski (The Decalogue), Jerzy Skolimowski (Torrents of Spring)
15. Syracuse University
Syracuse's Department of Transmedia conveniently includes filmmaking, computer art (animation and visual effects) and video art all in one place. Go there and you'll learn the whole process, from script to preproduction to post. "We're not a factory turning out gaffers," says Dean Heath Hanlin. "We're not a boot camp for filmmakers. But we're not a theory cloud either. We're trying to turn out people who can actually make something and be smart enough to talk about it." Syracuse's 40 students a year get plenty of attention -- and some get to experience "Sorkin Week," an intense practicum with Hollywood bigwigs led by Oscar-winning alum Aaron Sorkin.
TUITION $53,790 (includes room and board)
DEGREES BFA and MFA in film, with minors and majors also available in animation/VFX
NOTABLE ALUMNI Albert Maysles (Grey Gardens), Chris Renaud (Despicable Me), Aaron Sorkin (The Social Network)
16. Stanford University
Even by Stanford standards, the MFA in documentary film and video program is exclusive: Eight students a year make movies the old-school way, on 16mm. "Each student is trained equally in cinematography, sound, directing and editing, and every quarter, they crew for fellow students while producing their own films," says director Jan Krawitz. Coming circa 2013: a new facility that will be a work of art in itself.
TUITION $40,050
DEGREES MFA in documentary film and video
NOTABLE ALUMNI Mark Becker (Pressure Cooker), Nancy Kates (Brother Outsider), Cynthia Wade (Born Sweet)
17. Florida State University College of Motion Picture Arts
Despite being far from any entertainment capital (Tallahassee), FSU students are going places thanks to an eight-to-one student/faculty ratio, unusually generous production-cost support of student films and the Torchlight program, which has put students to work on 40 feature films shot in Florida. Coming up: an FSU partnership with effects giant Digital Domain.
TUITION $6,600 for in-state undergraduates; $24,120 for out-of-state; $21,735 for in-state graduate production; $38,092 for out-of-state)
DEGREES BFA in production, animation, digital arts; MFA in production, writing; non-degree through the Torchlight Program
NOTABLE ALUMNI Alan Ball (American Beauty), Melissa Carter (Little Black Book)
18. Emerson Visual and Media Arts School
Originally a Boston school of oratory, Emerson now boasts filmmakers and writers who are heard loud and clear in Los Angeles, where it's building a big satellite campus. When student Denis Leary asked a professor if he could perform his own scripts, the professor said, "It's Emerson! You can do anything."
TUITION $32,128 plus fees for undergraduates; $1,004 per credit plus fees for graduates
DEGREES Graduate and undergraduate degrees in visual and performing arts, writing and communications
NOTABLE ALUMNI Norman Lear (All in the Family), Denis Leary (Rescue Me), Jay Leno
19. Loyola Marymount University
LMU's 10-year-old School of Film and Television, which separates itself from the pack by stressing humanism over commercialism, is still all about getting students into the industry: One-third of all students nab internships, which often lead to real jobs (being based in L.A. helps). The new Incubator Lab matches students with real-world mentors for 18 months after graduation -- and funds one winning project. More socially conscious than most, LMU film professors mentor inner-city teens each summer, and some win scholarships. In a changing film and TV industry, new Dean Stephen Ujlaki has a vision for the future.
TUITION $37,605 for undergraduates; $985 per unit, plus tuition and fees for graduates
DEGREES B.A. in film, TV, animation and recording arts; MFA in film, TV and screenwriting
NOTABLE ALUMNI Brian Helgeland (Mystic River), Francis Lawrence (Water for Elephants), Sean McNamara (Soul Surfer)
20. University of Wisconsin/Milwaukee
UWM is far from the coastal film capitals, but its small program trains mainstream talents -- its grads shot nearly 100 episodes of CSI. It also emphasizes experimental film: Two of Film Comment's top 30 avant-garde filmmakers of the 21st century were alums.
TUITION $18,012
DEGREES BFA in film/video/new genres; MFA in film and video production
NOTABLE ALUMNI Chris Smith (American Movie)
21. Rhode Island School of Design
The 134-year-old RISD's Film, Animation and Video program trains grads in all three disciplines before they choose one. The art forms cross-pollinate: grad Gus Van Sant is a painter/photographer/director, and at RISD he told broke classmate David Byrne, "Maybe the pain of not getting paid will add to your art." After RISD, your art tends to pay off.
TUITION $39,482
DEGREES BFA in Film, Animation and Video
NOTABLE ALUMNI Gus Van Sant (Milk), Seth MacFarlane (Family Guy)
"What RISD trained me for was something that now [is] the most marketable thing there is. I mean, what people are looking for now is individual styles. If you look at all the successful animators these days -- Matt Groening of The Simpsons, Trey [Parker] and Matt [Stone] at South Park, Mike Judge at King of the Hill -- they all have very distinct, original styles, and they feel much more like the RISD philosophy than the other, more specialized schools." -- Seth Macfarlane
22. Chapman University Dodge College of Film & Media Arts
"We're not a trade school," says Dean Bob Bassett. "We're focused on helping young people find jobs -- and that's the hardest thing." Students at the Orange, Calif.-based campus operate like they're at a miniature studio: The directors direct, the writers write, the producers produce, and they work with PR and advertising students taught by new faculty member Dawn Taubin, a former Warners marketing exec.
TUITION $19,600 per semester for undergraduates; $15,420-$20,680 for graduates, depending on the discipline
DEGREES B.A., BFA, M.A. and MFA
NOTABLE ALUMNI Ben York Jones (Like Crazy), Chris Marrs Piliero (director for the Black Keys' "Tighten Up" music video)
"Being a comparatively young film school, Dodge is starting to make a good showing out there in all facets of film and entertainment. It's been interesting how many people I'll run into and find out they went to Chapman as well. It puts you on the same team." -- Ben York Jones
23. Ringling College of Art and Design
Ringling's 4-year-old Digital Filmmaking program, where Werner Herzog teaches, just graduated its first class, and already they've got two Student Academy Award winners. At the Sarasota, Fla., campus, you direct commercials your first year, documentaries the second, narratives the third and a thesis your fourth. U.S. News and World Report called it America's Most Wired Campus, and digital animation is strong.
TUITION $16,140 per semester
DEGREES BFA in a range of disciplines, including computer animation, digital filmmaking, game design and photography
NOTABLE ALUMNI The school just graduated its first class last year.
"Ringling helped me transform from just a kid who liked playing with cameras into a true, narrative storyteller. It is too early to tell how much of a career impact it has had, but I'm only three months out of an undergrad film school and have had meetings with producers at MTV, IFC, AMC and Screen Gems." -- Recent graduate Jason Letkiewicz
24. Northwestern University
At Northwestern outside Chicago, you can study writing in America's No. 2 theater and improv town; study film and visual art in a world-class arts capital; do a directing-for-the-screen "module," which involves classes in cinematography, editing and postproduction work or directing. Then then you make your film.
TUITION $41,592
DEGREES B.A./B.S. in radio, television, film history, theory and production of film and media
NOTABLE ALUMNI Greg Berlanti (producer, Green Lantern), Zach Braff (Garden State)
25. Colorado Film School
In partnership with Regis University, the Denver school charges students as little as $7,000 to make 1,000 BFA movies a year that visiting teacher Rahmin Bahrani (Chop Shop) compares with Columbia's MFA movies. Effects auteur Douglas Trumbull (2001, The Tree of Life) is working to create a green-screen 3D film studio.
TUITION $28,000 for four years for Colorado residents; $58,000 for non-residents
DEGREES BFA, AAS, AGS and certificates in writing, directing, producing, acting, postproduction and cinematography
NOTABLE ALUMNI Aaron Kroger (Total Recall)

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Eighteen Charged in Fraud Cases Related to Telemarketing Operations that Solicited Over $25 Million for Indie Films



U.S. Attorney’s Office
June 17, 2011
• Central District of California(213) 894-2434

LOS ANGELES—Twelve people have been arrested this week on federal fraud charges stemming from boiler room operations that solicited investments in independent movies with false promises of up to 1,000 percent returns and misrepresentations as to how investor funds would be used. Yesterday, Federal authorities arrested a total of 10 defendants; one person in Florida and nine people in Southern California. Today, Federal authorities arrested two additional defendants in Florida.
The arrests are the result of two indictments returned on Wednesday by a federal grand jury. The indictments charge a total of 17 defendants—four of whom are named in both indictments—who allegedly participated in fraudulent fundraising activities related to independent film projects. While some of the movies were actually produced, the indictments allege that the defendants lied, gave half-truths and concealed material facts from investors around the nation.
Federal prosecutors have also charged an 18th person in this investigation.
A former CIA agent who ran a Burbank movie company called Q Media Assets has already pleaded guilty to conspiracy, mail fraud, and tax charges in relation to the fraudulent boiler rooms.
In relation to the arrests this week, one indictment concerns the activities of Cinamour Entertainment LLC, which allegedly bilked investors who put money into independent motion pictures called “From Mexico with Love” and “Red Water: 2012.” The defendants raised money for the films through boiler room telemarketing operations, which made fraudulent pitches to investors. The charged defendants and other telemarketers cold-called investors from “lead lists” and solicited investments with false claims, such as that 93 percent of investor money would be used to produce and promote the films, and that investors would receive returns up to 1,000 percent. According to the indictment, the telemarketers failed to disclose that they would receive commissions when, in fact, often more than one-third of the investments went into their pockets. Little more than one-third of investor funds were used to actually produce and promote “From Mexico With Love.”
During the course of the Cinamour scheme—which the indictment alleges ran from early 2004 through May 2009—the defendants collected approximately $15 million for “From Mexico With Love” from about 450 victim-investors. The movie cost about $5 million to produce and generated approximately $550,000 in its theatrical release in October 2009. The defendants raised about $2.7 million for the “Red Water” movie from about 100 victim-investors, but essentially none of the money was used to produce the film, which was never made.
The second indictment filed this week focuses on Q Media Assets LLC. This indictment alleges that telemarketers for Q Media fraudulently raised funds for films called “Eye of the Dolphin” and its sequel, “Way of the Dolphin” (which was later called “Beneath the Blue”). Telemarkers associated with Q Media also bought “lead lists” from the same San Clemente company that sold lists to the Cinamour telemarketers. As in the Cinamour case, telemarketers seeking investments in the Dolphin movies allegedly “made material misrepresentations, told material half-truths, and concealed material facts, when speaking to investors,” specifically concealing information about commissions and promising returns of up to 1,000 percent.
The defendants in the Q Media case raised approximately $5 million for “Eye of the Dolphin” and about $4 million for “Way of the Dolphin” from about 250 investors. “Eye of the Dolphin” made about $70,000 in ticket sales in its theatrical release, while “Way of the Dolphin” went straight to video.
The 45-count Cinamour indictment charges a dozen defendants:
  • Daniel Toll, 56, of Encino, who was president of Cinamour, will make his initial appearance in two weeks;
  • Joel Lee Craft Jr., 41, of San Clemente, who was the CEO of the San Clemente-based American Information Strategies, Inc., which sold investor lead lists to telemarketing operations that solicited investors through telephone cold calls, appeared in court yesterday;
  • James Lloyd, 47, of Lake Arrowhead, who was a “closer” for Cinamour and later operated his own boiler room that raised money for Cinamour and Q Media, will appear in court Thursday, June 23;
  • Paul Baker, 50, of Palm Springs, a closer for Cinamour, who later operated his own boiler room under the name Independent Essentials that raised funds for Cinamour, will appear in court today;
  • Bart Douglas Slanaker, 48, of Panorama City (who is already in custody after being charged earlier this year in another movie-related telemarketing case), was another closer who helped raise funds for Cinamour in several capacities;
  • Allen Bruce Agler, 54, of Canyon County, a closer who used the name “Paul Kingman” and raised funds for “From Mexico With Love,” appeared in court yesterday;
  • Albert Greenhouse, 58, of Delrey Beach, Florida, who also raised funds for “From Mexico With Love,” will appear in court today;
  • DeLitha Jones-Floyd, 54, of Lancaster, another closer, will appear in court Thursday, June 23;
  • Brian Emmanuel Ellis, 35, of Saugus, another closer, appeared in court yesterday;
  • Daniel Morabito, 31, of Redondo Beach, a closer, appeared in court yesterday;
  • David Nelson, 40, of Eagle Rock, a closer, will appear in court Thursday, June 23; and
  • Daryll Van Snowden, 40, formerly of Chatsworth and now of West Hollywood, another closer, is still being sought by authorities.
All 12 defendants are charged in a conspiracy count, as well as in several of the 15 mail fraud counts, nine wire fraud counts and 13 sale of unregistered securities counts that are alleged in the indictment. Additionally, Craft, Toll and Floyd are each named in at least one of five money laundering counts. The indictment also charges Slanaker with two counts of tax evasion.
The 33-count Q Media indictment charges nine defendants, including Lloyd, Agler, Craft and Morabito. The indictment additionally charges:
  • Robert Keskemety, 56, of Hallandale Beach, Florida, a closer, appeared in court yesterday;
  • Jady Laurence Herrmann, 34, of Lake Arrowhead, a closer, appeared in court yesterday;
  • Joseph McCarthy, 37, of Boynton Beach, Florida, a closer, will appear in court today;
  • Matthew Bryan Wellman-Mackin, 30, of Manhattan Beach, a closer, appeared in court yesterday; and
  • Robert Ramirez, 44, of Sunland, who was hired by Sellers to handle investor relations, appeared in court yesterday.
All nine defendants in the Q Media case, including those also charged in the Cinamour case, face charges of conspiracy, mail fraud, wire fraud and sale of unregistered securities. Lloyd is also charged in this indictment with two counts of money laundering. Craft is also charged in this indictment with two counts of tax evasion.
Slanaker and another man who is now deceased were previously charged with fraudulently raising money for another independent movie by claiming, among other things, that well known stars were associated with the project (see: http://www.justice.gov/usao/cac/pressroom/pr2011/035.html). Slanaker, who is charged with mail fraud and wire fraud in this case, is currently scheduled to be tried in this case on August 16 in United States District Court in Los Angeles.
An indictment contains allegations that a defendant has committed a crime. Every defendant is presumed innocent until and unless proven guilty.
The charge of conspiracy carries a statutory maximum penalty of five years in federal prison or custody. The wire fraud and mail charges have a maximum possible sentence of 20 years. The money laundering counts alleged in the indictment carry maximum statutory penalties of 10 years. The charge of sale of unregistered securities has a maximum possible sentence of five years. And the tax evasion charges have a maximum possible sentence of five years.
The investigation into fraudulent boiler rooms raising money for independent movies is being conducted by special agents with the Federal Bureau of Investigation and IRS - Criminal Investigation.


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Monday, July 4, 2011

HAPPY 4th Of July! Online movie downloads up nearly 40% in 2010...

U.S. consumers spent $385 million buying and renting movies via the Internet in 2010 --up 38% from the year before -- surpassing for the first time the amount paid for online television shows.

According to research from IHS Screen Digest, the market for Internet television episode rentals and purchases last year was $366 million. In 2009, spending on online movies and TV was $280 million and $295 million, respectively.

The shift reflects the growing number of ways consumers can access movies through devices such as video game consoles, set-top boxes and the iPad at the same time that Hulu and other free streaming websites make it less appealing to pay to download TV shows.

The growth of the digital market came amid an overall downturn for the home entertainment market last year, with revenue down 3% to $18.8 billion and sales and rentals of traditional DVDs down 11% to $14 billion.

2010 also saw increasing competition in the digital movie market, as the grip of Apple Inc.'s iTunes slipped and other rivals, most notably Microsoft Corp., gained market share.

iTunes' market share dropped to 64.5% from 74.4%, according to IHS Screen Digest, while Microsoft, which sells and rents movies via its Xbox 360 video game console, grew to 17.9% from 11.6%.

Movie downloads on Sony Corp.'s Playstation 3 game console were No. 3 at 7.2%, up from 5.7% in 2009.

Vudu, which was acquired by Wal-Mart Stores Inc. last February, relaunched in November and entered at No. 4 in the market, according to IHS Screen Digest digital media research director Arash Amel.

The other major competitor in download-to-own and video-on-demand movies is Amazon.com. The online retail giant is currently preparing to launch a subscription streaming service that would put it into competition with Netflix Inc. That model has proved more popular with consumers than paying for individual movies, as evidenced by the breakout success of Netflix.

Although there are no industrywide charts for digital downloads, Apple reported in December that the most popular movies of the year on iTunes were, in order, "The Hurt Locker," "The Twilight Saga: New Moon," "Hot Tub Time Machine," "Iron Man 2" and "Zombieland," according to CNET News.

Thank you Los Angeles Times

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Friday, July 1, 2011

AMC Theatres Passes on MoviePass Program...

The second largest U.S. theater operator says it wasn't consulted, nor will it cooperate, with the plan to sell unlimited movie tickets for a flat rate.

Techies call MoviePass's fledgling plan to offer unlimited movie-going for a flat rate of $50 a month "Netflix for movie ticket buyers."
But AMC Theatres has some other names for it.

The second largest North American exhibitor says it will not participate. A spokesman says AMC's corporate office in Kansas City has instructed all of its more than 375 theaters (with over 5,300 screens) -- including those in the San Francisco/San Jose area where a beta test has just gotten underway -- not to participate.

"As MoviePass is currently designed, it does not integrate well into our programs and could create significant guest experience issues," says Stephen Colanero, AMC's chief marketing officer.

AMC says it wasn't consulted and hasn't agreed to accept the MoviePass system which involves people using their "smart" cell phone to order and gain admission.
"We were surprised to see the press release and subsequent press coverage of MoviePass earlier this week as it included several of our San Francisco locations," says Colanero. "It was news to us to see that we were participants and we will be communicating to those theatres they are not to accept MoviePass."

What has AMC upset is that MoviePass, which promoting its value to distributors, seems to have not considered the role of the exhibitor -- the people who own the theaters -- while promising a whole new way of doing business to those who make and market movies.
MoviePass operates on the model of a ticket broker who buys tickets for the Lakers game or a Madonna concert and then re-sells them to whoever they wish without consent from the original seller. While that may be common with arena shows, AMC doesn't see it as a workable model for exhibitors.

AMC spokesman Ryan Noonan says that they currently cooperate with two other online ticket sellers MovieTickets.com and Fandango.com. Patrons purchase online and then bring their credit card to the theater where AMC processes the transaction, and integrates it with its frequent movie-goer club AMC Stubs, which was just rolled out in April.
Noonan says AMC doesn't work with any service that provides unlimited tickets for a flat rate, and that he doesn't even know of one.

That of course is what makes MoviePass seem so original, if it can work. They are offering the $50 flat rate and a $30 rate for less frequent movie-going. That seems like a bargain to people who go to the movies a lot, with the average adult ticket price in 2010 of $7.89, up 5% from the prior year. And at many theaters in large metro areas prices are actually several dollars higher than that.

MoviePass not only wants to sell the ticket online and make entering the theater as easy as flashing a smart phone, but it also wants to sell the consumer coming out of the movie.
"The service will be able to offer sneak peeks of trailers based on previous movie attending patterns," says MoviePass co-founder Stacy Spikes, "drive ancillary revenue through DVD, digital download and merchandise offers, and draw audiences to special screenings."

They also promise to work with movie distributors to target potential ticket buyers: "Studios and distributors will receive an unparalleled marketing opportunity, with the application's ability to target movie lovers based on their movie viewing habits.
At least initially MoviePass is offering only a limited number of subscriptions as part of the Bay area Beta test "with charter subscribers able to offer their friends entrée into the club," a press release promises.

Their plan is to roll out the unlimited subscription plan to more U.S. markets by later this summer and go national in the fall.
MoviePass, based in New York, was founded by Spikes and Hamet Watt with backing from AOL Ventures, True Ventures, Lambert Media, Moxie Pictures, Brian Lee, MJ Ng, Ryan Steelberg and Adam Lilling.

Thank you Hollywood Reporter

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Hollywood's Next Big Piracy Fight: Digital Merchandising...

Imagine watching Inception at home and being able to instantly own one of those spinning tops. Or picture leaving a screening of Transformers 3 and immediately buying an autobot of your own.
Such technologies are coming, and they probably constitute an entirely new form of digital merchandising (and perhaps even a new revenue stream). But before these products get off the ground, studios are looking to handcuff the creators to ensure they aren't doing anything without a proper license.

Todd Blatt, a mechanical engineer from Baltimore, has been working on the physical recreation of digital data. Using a 3D printer, movie viewers may be able to print out objects they see on screen. Check out these transformers or this full-size version of Star Wars' Hans Solo in carbonite.

But Paramount isn't happy.

According to one report, the studio recently sent out a cease-and-desist letter to Blatt after he bragged about his work on a movie prop website.
Paramount wouldn't comment to us about this, but the studio sees such efforts as counterfeiting.
Is it? If someone creates a technology that allows movie fans to recreate Angelina Jolie's exact eyeshadow in one of her films on their face, is that copyright infringement? Think of this as the Mike Tyson tattoo controversy in reverse.

Obviously, the creator of such a product might run into trouble depending on how the technology is packaged. "Bring home a character from Transformers" might imply a false endorsement. "Look like Angelina Jolie" might constitute a violation of the actress' publicity rights. But copyright? Is a physical re-creation of an object on-screen a derivative work?

Here's another example of the technology -- a video showing the re-creation of the extraterrestrial shapeshifting white cubes from the film Super 8. The object in question is now being packaged as a "super vibrating jewelry box" instead of "Super 8 Cubes." Does that get it off the hook from any legal trouble?

Thank you Hollywood Reporter


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Sans Chávez, pas de chavisme ?

L'absence du président de la République a fait naître dans l'opinion publique un débat dont les "leaders" du Parti socialiste unifié du Venezuela (PSUV, parti de Chávez) et du Parti communiste négligent l'importance : que se passe-t-il si Chávez n'est pas là ? Pour la première fois, le régime chaviste est confronté à ce qu'on peut considérer comme le grand échec du processus engagé par Chávez [la "révolution bolivarienne"] : le commandant n'a pas de successeur. La base chaviste est parfaitement consciente de ce problème, alors même qu'il est nié au sommet de l'Etat, ce qui en dit long sur le divorce évident entre le simple citoyen pro-Chávez et la bureaucratie que le président a laissé gouverner le pays.
Dans ce "débat", j'ai du mal à accepter certains points de vue d'amis chavistes de base qui m'assurent que le Président, pendant son repos à La Havane, s'inquiète qu'il n'existe personne qui puisse le remplacer - ou l'aider - à la tête du processus bolivarien. Car enfin, si Chávez n'a aucun "remplaçant", c'est parce que lui même a veillé à écarter n'importe quel dirigeant osant se présenter comme un éventuel aspirant. (Toute ressemblance avec Rafael Caldera [président de 1964 à 1979 et de 1994 à 1999] sur ce sujet n'est certes pas une coïncidence.)

Si l'on analyse les derniers sondages, on découvre des résultats dévastateurs pour le chavisme (ou pour ses dirigeants). Selon l'Institut vénézuélien d'analyse de données (IVAD), si l'on organisait des primaires pour choisir le candidat chaviste à la présidence (question qui ne tenait pas compte de l'appartenance politique du sondé), 32,6 % soutiendraient Chávez, 2,6 % voteraient pour l'actuel vice-président Elías Jaua et 2,5 % pour le député Diosdado Cabello. Enfin, 57,6 % refusent de dire quelle serait leur choix dans une telle configuration.

L'état des lieux réalisé par l'institut de sondages Consultores 21 n'est pas non plus encourageant. Tareck El Aissami (avant les violences survenues dans les centres de détention Rodeo I et II) était le ministre [de l'Intérieur et de la Justice] chaviste le plus apprécié, avec 37 % d'opinions favorables dans l'électorat, suivi de près par le ministre des Affaires étrangères Nicolás Maduro (36 %), puis par Jaua (33 %) et Cabello (32 %). A titre de comparaison, le gouverneur de l'Etat de Miranda, Henrique Capriles Radonski, recueille 54,6 % d'opinions favorables, tandis que l'ancien maire de Chacao, Leopoldo Lópoz, se situe à 49 %, le gouverneur de l'Etat de Zulia, Pablo Pérez, atteignant 41 %.

Les principaux leaders chavistes ont une cote comparable à certains opposants politiques comme Antonio Ledezma [maire de Caracas], Henry Ramos Allup [député et secrétaire général du parti d'opposition social-démocrate Action Démocratique (AD)] ou Alvarez Paz [démocrate-chrétien, gouverneur de l'état de Zulia] . Ce qui ne pourra qu'ulcérer n'importe quel chaviste radical qui croit au processus de changement actuel.

Si le chavisme est dépourvu de personnalités de référence, l'opposition compte au moins trois dirigeants régionaux à vocation nationale. A l'heure qu'il est, le chavisme se limite à Chávez et à l'influence locale que peuvent avoir ses dirigeants sociaux.

Incontestablement, Chávez a changé la manière de faire de la politique au Venezuela. Ses liens affectifs avec les plus démunis ont révélé l'énorme dette sociale contractée envers cette frange de la population, obligeant n'importe quel politique à répondre à la clameur de 80 % des Vénézuéliens. Cela étant, son grand échec est d'avoir bâti un modèle qui n'admet pas d'autres leaders et qui fait passer la fidélité à sa propre personne avant l'obligation institutionnelle de rendre des comptes.

Son repos - où il entre une grande part de stratégie militaire et électorale - suscite un débat que le chavisme a toujours voulu éviter. Sans Chávez, la nécessité de répondre aux attentes sociales restera une donnée fondamentale de la vie politique, mais le chavisme, comme mouvement politique, ne devrait pas avoir de postérité, ce qui sans aucun doute préoccupe bon nombre de Vénézuéliens situés au bas de l'échelle. Comprendre ce sentiment d'absence qu'a éveillé parmi certains chavistes la maladie du président : telle sera peut-être la clé de l'élection de l'année prochaine.

Thanks Courrier International

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Hugo Chávez révèle avoir été opéré d'une tumeur cancéreuse

"Le 30 juin, depuis Cuba, le président de la République a lu un communiqué en réaction aux inquiétudes suscitées par la 'détérioration de son état de santé'", explique le quotidien. Hugo Chávez a révélé à la télévision avoir subi une intervention chirurgicale couronnée de succès pour lui retirer une tumeur cancéreuse. Il a ajouté qu'il était en cours de rétablissement complet. Agé de 56 ans, Chávez est apparu grave et ému pour son premier discours à la nation depuis son opération, le 10 juin à La Havane.

Thanks Courrier International !

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