Venezuela has the largest proven oil reserves in the world. It was once so rich that Concorde used to fly from Caracas to Paris. But in the last three years its economy has collapsed. Hunger has gripped the nation for years. Now, it’s killing people and animals that are dying of starvation. The Venezuelan government knows, but won’t admit it!!! Four in five Venezuelans live in poverty. People queue for hours to buy food. Much of the time they go without. People are also dying from a lack of medicines. Inflation is at 82,766% and there are warnings it could exceed one million per cent by the end of this year. Venezuelans are trying to get out. The UN says 2.3 million people have fled the country - 7% of the population.
Showing posts with label Indi. Show all posts
Showing posts with label Indi. Show all posts

Sunday, July 31, 2011

Eighteen Charged in Fraud Cases Related to Telemarketing Operations that Solicited Over $25 Million for Indie Films



U.S. Attorney’s Office
June 17, 2011
• Central District of California(213) 894-2434

LOS ANGELES—Twelve people have been arrested this week on federal fraud charges stemming from boiler room operations that solicited investments in independent movies with false promises of up to 1,000 percent returns and misrepresentations as to how investor funds would be used. Yesterday, Federal authorities arrested a total of 10 defendants; one person in Florida and nine people in Southern California. Today, Federal authorities arrested two additional defendants in Florida.
The arrests are the result of two indictments returned on Wednesday by a federal grand jury. The indictments charge a total of 17 defendants—four of whom are named in both indictments—who allegedly participated in fraudulent fundraising activities related to independent film projects. While some of the movies were actually produced, the indictments allege that the defendants lied, gave half-truths and concealed material facts from investors around the nation.
Federal prosecutors have also charged an 18th person in this investigation.
A former CIA agent who ran a Burbank movie company called Q Media Assets has already pleaded guilty to conspiracy, mail fraud, and tax charges in relation to the fraudulent boiler rooms.
In relation to the arrests this week, one indictment concerns the activities of Cinamour Entertainment LLC, which allegedly bilked investors who put money into independent motion pictures called “From Mexico with Love” and “Red Water: 2012.” The defendants raised money for the films through boiler room telemarketing operations, which made fraudulent pitches to investors. The charged defendants and other telemarketers cold-called investors from “lead lists” and solicited investments with false claims, such as that 93 percent of investor money would be used to produce and promote the films, and that investors would receive returns up to 1,000 percent. According to the indictment, the telemarketers failed to disclose that they would receive commissions when, in fact, often more than one-third of the investments went into their pockets. Little more than one-third of investor funds were used to actually produce and promote “From Mexico With Love.”
During the course of the Cinamour scheme—which the indictment alleges ran from early 2004 through May 2009—the defendants collected approximately $15 million for “From Mexico With Love” from about 450 victim-investors. The movie cost about $5 million to produce and generated approximately $550,000 in its theatrical release in October 2009. The defendants raised about $2.7 million for the “Red Water” movie from about 100 victim-investors, but essentially none of the money was used to produce the film, which was never made.
The second indictment filed this week focuses on Q Media Assets LLC. This indictment alleges that telemarketers for Q Media fraudulently raised funds for films called “Eye of the Dolphin” and its sequel, “Way of the Dolphin” (which was later called “Beneath the Blue”). Telemarkers associated with Q Media also bought “lead lists” from the same San Clemente company that sold lists to the Cinamour telemarketers. As in the Cinamour case, telemarketers seeking investments in the Dolphin movies allegedly “made material misrepresentations, told material half-truths, and concealed material facts, when speaking to investors,” specifically concealing information about commissions and promising returns of up to 1,000 percent.
The defendants in the Q Media case raised approximately $5 million for “Eye of the Dolphin” and about $4 million for “Way of the Dolphin” from about 250 investors. “Eye of the Dolphin” made about $70,000 in ticket sales in its theatrical release, while “Way of the Dolphin” went straight to video.
The 45-count Cinamour indictment charges a dozen defendants:
  • Daniel Toll, 56, of Encino, who was president of Cinamour, will make his initial appearance in two weeks;
  • Joel Lee Craft Jr., 41, of San Clemente, who was the CEO of the San Clemente-based American Information Strategies, Inc., which sold investor lead lists to telemarketing operations that solicited investors through telephone cold calls, appeared in court yesterday;
  • James Lloyd, 47, of Lake Arrowhead, who was a “closer” for Cinamour and later operated his own boiler room that raised money for Cinamour and Q Media, will appear in court Thursday, June 23;
  • Paul Baker, 50, of Palm Springs, a closer for Cinamour, who later operated his own boiler room under the name Independent Essentials that raised funds for Cinamour, will appear in court today;
  • Bart Douglas Slanaker, 48, of Panorama City (who is already in custody after being charged earlier this year in another movie-related telemarketing case), was another closer who helped raise funds for Cinamour in several capacities;
  • Allen Bruce Agler, 54, of Canyon County, a closer who used the name “Paul Kingman” and raised funds for “From Mexico With Love,” appeared in court yesterday;
  • Albert Greenhouse, 58, of Delrey Beach, Florida, who also raised funds for “From Mexico With Love,” will appear in court today;
  • DeLitha Jones-Floyd, 54, of Lancaster, another closer, will appear in court Thursday, June 23;
  • Brian Emmanuel Ellis, 35, of Saugus, another closer, appeared in court yesterday;
  • Daniel Morabito, 31, of Redondo Beach, a closer, appeared in court yesterday;
  • David Nelson, 40, of Eagle Rock, a closer, will appear in court Thursday, June 23; and
  • Daryll Van Snowden, 40, formerly of Chatsworth and now of West Hollywood, another closer, is still being sought by authorities.
All 12 defendants are charged in a conspiracy count, as well as in several of the 15 mail fraud counts, nine wire fraud counts and 13 sale of unregistered securities counts that are alleged in the indictment. Additionally, Craft, Toll and Floyd are each named in at least one of five money laundering counts. The indictment also charges Slanaker with two counts of tax evasion.
The 33-count Q Media indictment charges nine defendants, including Lloyd, Agler, Craft and Morabito. The indictment additionally charges:
  • Robert Keskemety, 56, of Hallandale Beach, Florida, a closer, appeared in court yesterday;
  • Jady Laurence Herrmann, 34, of Lake Arrowhead, a closer, appeared in court yesterday;
  • Joseph McCarthy, 37, of Boynton Beach, Florida, a closer, will appear in court today;
  • Matthew Bryan Wellman-Mackin, 30, of Manhattan Beach, a closer, appeared in court yesterday; and
  • Robert Ramirez, 44, of Sunland, who was hired by Sellers to handle investor relations, appeared in court yesterday.
All nine defendants in the Q Media case, including those also charged in the Cinamour case, face charges of conspiracy, mail fraud, wire fraud and sale of unregistered securities. Lloyd is also charged in this indictment with two counts of money laundering. Craft is also charged in this indictment with two counts of tax evasion.
Slanaker and another man who is now deceased were previously charged with fraudulently raising money for another independent movie by claiming, among other things, that well known stars were associated with the project (see: http://www.justice.gov/usao/cac/pressroom/pr2011/035.html). Slanaker, who is charged with mail fraud and wire fraud in this case, is currently scheduled to be tried in this case on August 16 in United States District Court in Los Angeles.
An indictment contains allegations that a defendant has committed a crime. Every defendant is presumed innocent until and unless proven guilty.
The charge of conspiracy carries a statutory maximum penalty of five years in federal prison or custody. The wire fraud and mail charges have a maximum possible sentence of 20 years. The money laundering counts alleged in the indictment carry maximum statutory penalties of 10 years. The charge of sale of unregistered securities has a maximum possible sentence of five years. And the tax evasion charges have a maximum possible sentence of five years.
The investigation into fraudulent boiler rooms raising money for independent movies is being conducted by special agents with the Federal Bureau of Investigation and IRS - Criminal Investigation.


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Monday, June 20, 2011

18 charged in indie film investment scam

LOS ANGELES (AP) — Eighteen people from Southern California and Florida are facing federal charges in an alleged telemarketing scam that solicited more than $25 million for independent films.

According to two indictments filed Wednesday in Los Angeles federal court, the defendants lied to investors nationwide and falsely promised 1,000 percent returns.

One indictment says Cinamour Entertainment LLC took about $15 million from about 450 victims to promote "From Mexico with Love", which cost $5 million to make and earned only half a million at the box office.

The other indictment alleges telemarketers for Q Media Assets LLC fraudulently raised about $9 million for a film called "Eye of the Dolphin" and a sequel. The film made about $70,000 and the sequel went straight to video.

The charges include conspiracy, mail and wire fraud

Thank you AP.

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Thursday, June 2, 2011

Creative Scotland Investing $1 Million Into Initiatives to Boost Scottish Film..

Among the four initiatives is Scottish production banner Sigma Films.

Scottish government backed agency Creative Scotland is pumping £1 million ($1.6 million) into a quartet of initiatives in an attempt to boost Scottish cultural content, develop audiences and bring fame and fortune to Scottish film companies.

Among the four initiatives is Scottish production banner Sigma Films.
It secures a quarter of the cash to help set up its distribution arm Sigma Releasing, to co-release its titles with other distributors and contribute to the p&a costs. An example would be the company's collaboration with Icon for the rollout of You Instead, starring Luke Treadaway.
Also benefiting from Creative Scotland largesse to the tune of £500,000 ($810,000) is a co-venture with the existing Aegis Fund and Prescience, named the MacKendrick Fund. It will offer debt and equity finance to local and international movie projects with Scottish elements or those to be shot in Scotland or post-produced there.

Thank you Hollywood Reporter

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Friday, March 4, 2011

Industry news: Is 3D for the Home Dead?

A group of experts at a technology conference -- where the subject generated little enthusiasm -- seem to think so.
3D for the home is dead, according to a majority of attendees at the Hollywood Post Alliance Tech Retreat now taking place in Palm Springs.
When the subject of 3D came up at the confab, the audience of about 400 entertainment technology veterans were asked to indicate by a show of hands if they thought 3D for the home was dead -- and roughly 80% of the audience agreed with that proposition.
Jerry Pierce, who served as moderator, said: "The audience saw the trends at the [HPA] consumer electronics sessions, which cast doubt about 3D in the home -- with a follow-up punch by the broadcast panel, which didn't have interest in broadcasting 3D. The HPA attendees, using this and their other knowledge, felt 3D for the home was dead."
The broadcasting panel included representatives from ABC, NBC, CBS and Fox -- all of whom spent little time on the subject of 3D.
"When the industry comes up with a backward compatible system and an approach within ATSC standards [the U.S.' DTV standards], and we can produce content in an efficient manner, then you will hear about 3D from us," said panelist Jim DeFilippis of Fox.
On the consumer electronics side, industry pundit Mark Schubin shared some Nielsen research that suggested that consumer interest in 3D in the home actually decreased after survey participants were shown 3DTV. He reviewed additional research that demonstrated limited consumer interest.
Still, informal conversations proved that there was at least a segment of conference attendees who believes there are multiple opportunities for 3D to serve various niche markets in the home. Games, for instance, are viewed as a key opportunity.
3D-ready TVs began to roll out in 2010. The consumer electronics industry has sold 3.3 million 3D ready TVs worldwide, according to recent figures from Screen Digest.

Thank you Hollywood Reporter


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Wednesday, February 9, 2011

Industry News: Indies embrace small world....

February 7, 2011

FilmNation's recent pact with Relativity, which includes handling international sales for titles like 3D 'Sanctum,' benefits both shingles.

There was a time when renting a booth, setting up a card table and hanging out a shingle at any of the international markets was enough to call yourself a sales agent. But the last cycle of too much capital and too many movies has finally struck some kind of equilibrium, and that's seen sales agents having to do more with less, and explore new business models to stay ahead of the curve.
"We were looking at opportunities," Nick Meyer says of the recently inaugurated Sierra/Affinity, of which he is CEO, "and more partners means more product flowing through. … In our case, both (Sierra and Affinity) were looking for similar things. I can't say that this is the wave of the future, but it made sense for us. No one knows where the next magic is coming from."

David Garrett, president of Summit Intl., the sales arm of a company that has remained independent as it morphed from a "pure sales agent" into a mini-studio, doesn't expect a wave of mergers.

"Companies will disappear rather than be acquired," Garrett says from his base in London. "If companies merge, it will work only if the other company is complementary to your own. An acquisition means that you acquire people, talent or intellectual property. There's no point in merging with or acquiring a company that does the same thing that you do.

"Libraries may be acquired but not the whole company. … Even libraries have diminishing returns because TV is not buying as much, and the DVD market is down."

The stressed world economy has resulted in fewer films being made. Buyers and sellers generally agree that this has translated into higher-quality product, and buyers are increasingly looking to A-list titles to produce revenue on their end. The number of companies with access to those films has shrunk considerably, and now only a handful of sales companies handle powerhouse product. Financiers look at who will be handling sales before signing on the dotted line. And there are only five sales companies that make the grade for the big titles.

"Financiers have become way more wary about who is selling the film," says Stuart Ford, CEO of IM Global.

Investors are looking primarily for expertise in the marketplace -- expertise that allows sales agents to make realistic estimates on the earning potential of a film. Volume is another characteristic that is prized as it proves a seller's experience. And these days, the perception is that the bigger players wield some clout, enabling them to get higher prices for their films.

IM Global handled the mega-hit "Paranormal Activity," which bumped it up to a higher echelon. But even with such an unexpected hit, Ford, who founded the company, sold a majority stake to Reliance.

"It was a game-changer for us," Ford says. "It has given us access to a lot more films. Reliance is a great strategic provider of films."

Not that a sales company is able to exist solely selling big pictures.

"The market is polarized into the haves and the have-nots," Ford continues. "We handle big and diverse films. We can pre-sell small films as part of a package that is driven by these locomotives. … In the end, what sells are good, finished films in all categories."

Summit's Garrett echoed these sentiments. "We began handling small films and worked our way up. We were pedaling very fast in those days, but we established relationships that we still have today. A sales agent can't just sell a film and that's the end of it. Serious sales companies will concern themselves with how a film is marketed, promoted and handled, in general."

And as far as the banks go in this environment, "it's extraordinarily important to have faith in the sales estimates regarding a film," says Charles Heaphy, senior vice president for the entertainment division at Los Angeles-based City National Bank. "The banks are putting up money that won't be collected for a year or so, and many things can happen during that year. For example, a distributor could go bust or could be difficult about coming up with the money -- so you need to have a top-notch sales agent that you can trust and that has a strong track record."

Mergers like that of Sierra/Affinity will continue as long as it makes business sense. The days of the "pure" sales agent are most likely over. Those companies that began in this mode and are still in existence today have evolved with the marketplace, often working on economies of scale.

"We started the company in 1984," says Paul Hertzberg, CEO of Cinetel, "and we began producing films in 1985. Now, our sales slate is about 90% self-produced. … Our main thrust is producing, not acquiring."

As a sales agent, however, Hertzberg admits that he is far more conservative these days in estimating earning potential.

"If you give big numbers before going to market and then don't reach them, it leaves you with some very unhappy producers."

Mark Lester, who has kept American World Pictures in the black for nearly two decades with a combination of acquisitions and Lester-directed features, has discussed mergers but never found the right combination.

"One of the stumbling blocks to mergers," Lester says, "is that the heads of these companies are highly entrepreneurial and resist the idea of ceding authority to anyone else. The question is always: Who is going to be top dog?"

What is clear is that in the new indie world, creative thinking is key will still be the foundation for the success of a sales company. The recent announcement that FilmNation will sell all product from Relativity, along with a number of multi-year deals the company has signed with numerous production outfits, is both unique and a reaction to the changing marketplace.

"The advantage is that we operate as an extension of their company, very much as, say, Summit does," says FilmNation CEO Glen Basner.

"We consult at a very early stage to give a clear idea of the potential international revenue of a film. These estimates are extremely important as they become a cornerstone of the financial package. By getting in early, it's different from someone who puts together a script, a director, talent and then take it to market and find that the earning potential is nowhere near what they had expected."

In the end, it is all about synergy and how best to achieve that. A year from now it will be easier to tell who has achieved that and who has not.

Thank you Variety


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