Venezuela has the largest proven oil reserves in the world. It was once so rich that Concorde used to fly from Caracas to Paris. But in the last three years its economy has collapsed. Hunger has gripped the nation for years. Now, it’s killing people and animals that are dying of starvation. The Venezuelan government knows, but won’t admit it!!! Four in five Venezuelans live in poverty. People queue for hours to buy food. Much of the time they go without. People are also dying from a lack of medicines. Inflation is at 82,766% and there are warnings it could exceed one million per cent by the end of this year. Venezuelans are trying to get out. The UN says 2.3 million people have fled the country - 7% of the population.
Showing posts with label USA. Show all posts
Showing posts with label USA. Show all posts

Thursday, October 31, 2013

Study: Only 14 Percent of Cable Customers Satisfied; 73 Percent Want a la Carte


Study: Only 14 Percent of Cable Customers Satisfied; 73 Percent Want a la Carte

PwC finds that though customers want changes, they aren't willing to pay much for them: "With TV in such a state of flux, companies must revisit their business models," says PwC analyst Matthew Lieberman.

A la carte television programming is a popular concept among consumers who presume they'd save money by ditching channels they don't watch, but given that only 38 percent would be willing to pay more than $3 per channel each month, it's not likely the idea will catch on with TV providers who aren't inclined to stray from bundling. Not at that price.

Hollywood, Take Note: Here's What TV Viewers Really Want (Guest Column)

Viacom CEO Philippe Dauman Doesn't Expect A La Carte Cable Law

A new study out Wednesday from PricewaterhouseCoopers says that 44 percent of consumers would like a total a la carte system and that 73 percent of consumers would prefer a la carte or at least more customization of packages than is currently offered. Only 14 percent are satisfied with the status quo.

When it comes down to it, though, even customers who want such changes aren't willing to pay much for them. Sixteen percent, for example, say they won't pay more than 99 cents a month for a channel they want, while 24 percent will pay $1.99 and 22 percent will pay $2.99.
At $8 a month per channel, the highest option offered in the PwC survey, only 5 percent say they'd pay up.

The survey also indicates that 57 percent would not pay more than 99 cents a month for access to an individual show each month, while 20 percent would pay $1.99 and 12 percent would pay $2.99. Only 2 percent would pay $8 a month for a show.

Despite the lowly amounts that surely would be dismissed as unfeasible by distributors and content providers alike, TV executives would be wise to note the popularity of the a la carte concept, says PwC entertainment, media and communications analyst Matthew Lieberman.

GUEST COLUMN: Hollywood, Take Note: Here's What TV Viewers Really Want

"With TV in such a state of flux, companies must revisit their business models," says Lieberman. "The winners will be those that offer custom services or curate content in the most appealing ways."
For its study, PwC also held focus groups. "I have a bunch of channels that just sit there," one participant said. "If they could take them off and lower my bill each month, that would be great."
If given the a la carte option, 65 percent say they would subscribe to 10 or more channels, the most popular being basic cable offerings, followed, in order, by premium cable, sports, lifestyle, news, premium sports and children's programming.

The comprehensive PwC report also explores ways that consumers currently watch television, how they discover new shows and the amount of advertising they're willing to view in lieu of subscription fees. In regard to the latter, the rule is simple: The smaller the screen, the fewer the number of ads viewers will tolerate.

TV online is dominated by Netflix to the tune of 63 percent, while 49 percent go to the websites of the TV networks for their online viewing, 35 percent to Hulu, 28 percent to Amazon Prime, 25 percent to iTunes and 24 percent to HBO Go. Three percent go to Pirate Bay.

Only 14 percent say they prefer a web service for their TV viewing, but 31 percent acknowledge that the availability of Netflix, Amazon, Hulu and others decreases the value of television to them.
PwC found that 55 percent of TV viewers use their mobile devices while watching television and, of those, 56 percent use them for activities specific to a particular TV show.

Lieberman said focus groups revealed that consumers want more programming guidance from TV service providers. For now, 59 percent say they find new shows through recommendations from friends or family, 45 percent through channel flipping and 42 percent via advertisements. Only 4 percent discover new shows through social media.

Not surprising, DVRs are hugely popular, with 57 percent of consumers saying they record most of their shows for later viewing. Ten percent say they engage in "binge viewing" and 7 percent acknowledge that they often record shows but never watch them.

PwC surveyed 1,008 U.S. consumers ages 18 to 59. Seventy percent of the respondents have cable TV, 41 percent have Netflix, 26 percent subscribe to satellite, 18 percent use Amazon Prime, 16 percent use iTunes and 8 percent use Hulu.

"This study shows that during the next five years, an even greater portion of viewing of and interaction with TV and film content will take place on multiple screens and devices," says Lieberman. "Hollywood must adapt accordingly."

Thank you Hollywood Reporter

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Mobile platforms fuel spending growth in U.S. advertising...


Mobile platforms fuel spending growth in U.S. advertising...

Advertising spending in the U.S. and Canada is expected to grow 4% next year, according to newly released forecast by ad giant ZenithOptimedia.

This year, spending is expected to inch up 3.4% in North America, slowing a bit after last year's infusion of spending to capitalize on viewer interest in the London Olympics, ZenithOptimedia said in its Advertising Expenditures Forecast, released Monday.

"Consumer confidence, retail sales, job numbers and house construction are all trending encouragingly upwards," ZenithOptimedia's report found.

Mobile advertising is fueling the growth. ZenithOptimedia predicts that advertising geared for smartphones and tablets will account for half the total growth in ad expenditures in North America this year. The mobile advertising market is estimated at $6.2 billion.

Although it is the fastest-growing segment, mobile ads still represent less than 4% of the total ad spend in North America.

Internet advertising continues to outpace growth in traditional ad platforms of television and print media. Television remains marketers' favorite medium, collecting nearly 40% of the total ad spend.

Worldwide ad spending is expected to grow 3.5% this year, surpassing the $500 billion mark -- thanks to a strengthening European economy and continued growth in developing nations, ZenithOptimedia found.

ON LOCATION: Where the cameras roll

The firm is predicting larger gains -- 5.1% in 2014 and 5.9% in 2015 -- as European economies continue to stabilize and improve.

Latin America, Asia and Eastern Europe are posting the highest rates of expansion. Commercial spending in Latin America is expected to swell 9.6% this year, while Eastern Europe and Central Asia is on track to notch growth of nearly 11%.

However, the peripheral Eurozone region -- which includes the reeling economies of Greece, Spain, Italy, Portugal and Ireland -- is on track to post a 16% decline this year, ZenithOptimedia found.

Thank you Los Angeles Times

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Saturday, August 25, 2012

Movie ticket prices reach new high in U.S. and Canada...


Movie ticket prices reach new high in U.S. and Canada...
By Richard Verrier


If you thought going to the movie theater was more expensive this year, you weren't imagining it.

Average ticket prices in the U.S. and Canada climbed to an all time high in the second quarter, reaching $8.12, up from $7.92 in the first quarter and $8.06 in the second quarter of 2011, according the National Assn. of Theatre Owners.

That average might seem remarkably low to moviegoers in L.A., where ticket prices are well above $10, but the trade group's analysis is based on a survey of theaters nationwide and also includes lower-cost matinee tickets and tickets discounted for seniors and students.

The spike in ticket prices reflected the surge in premium-priced 3-D and Imax ticket sales from such movies as "The Avengers," "Men in Black 3" and "Brave."

"We had just some big 3-D pictures and a lot of people attended them,'' said Patrick Corcoran, spokesman for the trade association.

Still, average ticket prices rose during a quarter when box office revenue dropped 1.2%, to $2.8 billion, while theater admissions dropped 2% to $351.1 million. Year to date, box office revenue is up 5%; admissions have increased 4%.

Thank you Los Angeles Times

More info: www.latimes.com
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Friday, August 24, 2012

Hermano by a film by Marcel Rasquin

HERMANO a film by Marcel Rasquin

To all our friends in the US that want to watch a great Venezuelan movie, go see my friend's "HERMANO"... 
If it was not good, we will not tell you to go!!! 

This is a REALLY REALLY great movie... 

Pick-up your tickets!!!! And spread the word... 

http://www.musicboxfilms.com/hermano-movies-4.php 

More info: Official Site: http://www.hermanomovie.com/

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Thursday, August 23, 2012

U.K. aiming to lure U.S. productions


U.K. aiming to lure U.S. productions
Tax-incentive strategy would also help keep homegrown shoots
By LEO BARRACLOUGH

"Episodes," produced for Showtime and the BBC, is set in Los Angeles, but shot in the U.K.

"Downton Abbey," which shoots in the U.K., is one of the few Brit-produced shows to do so.

With the U.K. government set to introduce in April what's likely to be a generous tax incentive for big-budget TV productions, it appears that the sector, given a shot in the arm by the success of "Downton Abbey," might be on the verge of a true breakout -- and Hollywood is taking notice.
While "Downton," produced by NBC-Universal's London shingle Carnival and shot in the U.K., is the exception rather than the rule -- most high-budget TV shows produced by U.K.-based companies are not lensed in Blighty -- with tax credits on the horizon, that is set to change. Many see a future that offers heightened worldwide marketability for U.K.-produced fare and increased collaboration with the U.S., underscored by speculation recently that Sony Pictures Television is interested in buying Blighty's Left Bank Pictures.

The tax incentive plan is hazy, with details still being formulated, but a U.K. production biz lobby group, the TV Coalition, is pressing for the incentive to be based on the nation's film tax credit. If its proposals are adopted, the incentive would be worth 20% of the U.K. spend, with a requirement for a minimum budget level of £1 million ($1.6 million) for an hourlong.

As well as persuading productions to stay home, the incentive could also lure more U.S. network shows to Blighty. At present, even skeins that could be considered culturally British are shot elsewhere. For example, Showtime's "The Tudors" and Starz's "Camelot" used locations in Ireland.

For most U.K. producers, shooting locally is too expensive when there are countries nearby that offer production tax incentives.

"Parade's End," Tom Stoppard's adaptation of the Ford Madox Ford novels, shot 43% of its scenes and undertook more than 80% of its post-production in Belgium. U.K. production house Mammoth, which produced the series for HBO, the BBC and its international sales arm BBC Worldwide, says that if a tax incentive had been in place, the lion's share of the filming and almost all the post-production would have taken place in the U.K.

Even countries some distance away attract Blighty TV productions. Action series "Strike Back," which Left Bank produces for Cinemax/HBO in the U.S. and satcaster BSkyB in the U.K., is shot almost entirely in Hungary and South Africa.

According to a recent report by Stephen Bristow, associate director at media consultancy RSM Tenon, and Charles Moore, a partner at law firm Wiggin, a 20% tax incentive is likely to bring more than $545 million in additional production spending per year to the U.K.

High-end TV drama is very mobile in terms of location, and the existence of a tax credit is central to a country's appeal, the report states. "HBO, for example, said that 10 years ago, 10% of their production spend was shot in locations where incentives were offered. Today, this figure has increased to 85% of their total production spend," the report notes.

Armed with a tax incentive, the U.K. could become a rival even to Canada in vying for U.S. network shows, says Andy Harries, chief executive of Left Bank, which produces Kenneth Branagh-starring crime series "Wallander" for WGBH Boston and the BBC, as well as features, such as "The Queen."

"(The U.S. networks) will be looking to the U.K. in the same way that they look to Canada: If it is cheaper to (film) in the U.K. and they can deliver a product that works in their domestic market, they will(come)," Harries says.

Maria Kyriacou, managing director of ITV Studios Global Entertainment, the U.K. broadcaster's international distribution arm, says U.S. cable networks already are far more willing to consider shows from international producers.

"There are lots of opportunities right now for co-productions and for them to buy shows," Kyriacou says, adding that streaming outlets such as Netflix and Hulu have been having success with some of their high-end dramas.

Kyriacou says that incentives could mean more spending-power for U.K. production companies, enabling them to add well-known thesps or high-end special effects that improve the chances of sales in the international market.

"Recognizable talent helps people pay attention to the shows," Kyriacou says. For example, the casting of Jeremy Piven as the lead in costume drama "Mr. Selfridge," which ITV Studios Global Entertainment is distributing, is helping the show's worldwide sales. In the U.S. "Mr. Selfridge" has been picked up by PBS' "Masterpiece," home to "Downton Abbey."

According to Harries, incentives might lead to a growing number of shows that combine the best of U.S. and U.K. creative talent. "What probably one would try to achieve is some kind of hybrid that will have some American casting for sure, but somehow marries American and English content satisfactorily, (and will play in both countries)," he says. "The tax break will undoubtedly add energy and financial imperative."

Harries points to comedy series "Episodes," produced by the U.K.'s Hat Trick Prods. for the BBC and Showtime Networks, as an indication of the way the biz may develop. Set in Los Angeles, the show stars Matt LeBlanc, and is penned by Hollywood scribes David Crane ("Friends") and Jeffery Klarik ("Mad About You"), but is shot almost entirely in the U.K. Production for the second season included a six-day shoot in Los Angeles for exteriors, but the rest of the show was shot at London studios, and at locations around the city that doubled for Los Angeles.

Hat Trick wouldn't reveal the budget, but Harries says he was told it was about half to two-thirds of what it would have been if it had been shot in the States.

And with incentives, that number would be friendlier still.

Thank you Variety

More info: www.variety.com

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Saturday, August 27, 2011

Incentives Update... August

Although many states have curtailed or terminated their incentives programs, others have expanded or enhanced their programs. There is still a substantial amount of money available - to find it:

THE INCENTIVES OFFICE TELLS YOU WHERE TO GO...

Alabama - $6 million available now, with new funds will be available on October 1st. $10 million annual cap.

Alaska - $50 million is available. Alaska has no caps on talent or projects, but requires a CPA audit to sell their 30-44% credits.

Colorado - $500,000 remains for their 10% rebate.

Connecticut - no annual cap. Regulations have tightened up for this (up to) 30% transferable credit.

Florida - (film only - see below for television). Only Florida resident cast and crew qualify, plus FL goods and services.

Georgia - 20% transferable credit, plus 10% uplift for logo (totaling 30%), requires audit/tax return. New sound stages, lots of post facilities. No annual ceiling.

Hawaii - refundable credit of 15% to 20%, requires a tax return. No annual cap.

Illinois - only resident cast and crew qualify, but Chicago is a major production center. Transferable credit of 30%. $100,000 per hire cap, but no annual ceiling.

Indiana - $2.5 million remains for the remainder of this calendar year.

Louisiana - top choice of producers, transferable credit of 30%, plus 5% bump for resident labor. The state redeems credits at 85 cents after CPA audit, or they can be sold (brokered). Many films now in prep or pre-production, so crew is getting strained. No annual ceiling, and three great stages.

Massachusetts - 25% transferable credit; state redeems at 90 cents. No caps or ceiling, and the credits are easy to sell after CPA audit.

Mississippi - a rebate of 25% for materials and non-resident crew, 30% for resident crew, $1M per hire cap. "The Help" was shot in Mississippi. Not a lot of crew depth, but growing. New sound stage in Canton. Costs are low, and the state is eager for production. $18 million is available.

Montana - refundable credit of 9% to 14%. No annual cap.

New Jersey - $14 million available, but half of this will be gone very soon, as earlier shows complete their submissions. 20% transferable credit, sellable after the CPA audit.

New Mexico - annual allocation is $50 million, for this 25% refundable credit which requires a NM tax return. First come, first served; if funds not available when you apply, you wait a year. Depending on total amount, credits awarded over 1, 2 or 3 years.

New York - fiscal year started July 1st, so new funds are available. Below-the-line credit of 30%, payable over 1-3 years with filing of NY state tax returns.

North Carolina - refundable credit of 25%, $1M per hire cap, and project cap of $7.5M. NC requires a tax return. No annual ceiling.

Pennsylvania - Some funds remain, but not for long. However, applications are stil being accepted, as films may drop out of the queue, freeing up funds for new projects.

South Carolina - $14 million currently available for their 10% to 30% rebate.

Texas - The incentive has now been raised to 15% for video game production. The previous rate was 5%. Only Texas resident cast and crew qualify, plus TX goods and services.

Utah - $11 million of fully refundable credits at 25% (with tax return), $3 million for 25% cash rebates (up to $500,000 per project).

West Virginia - $10 million annual cap, $10 million available. 27-31% credits.

AND WHERE NOT TO GO (FOR NOW)

Arizona - program was allowed to sunset, new legislation was defeated.

Florida(television only) - funds for the TV queue are exhausted, and without new legislation, new application will not be accepted.

Missouri - the film commission was not funded.

Idaho - program is not funded.

Iowa - program has been terminated.

Ohio - all funds gone until next fiscal year. Applications are being accepted in case something drops out of the queue

Oklahoma - no funds available until fiscal 2013, which starts July 1, 2012. Applications will be accepted beginning January 1, 2012.

Oregon - a good program, but they are out of funds until July 1, 2012.

Washington - program was allowed to sunset.

Wisconsin - allocation of $500,000 per year.

OTHER LOCATIONS TO CONSIDER

California - all funds allocated. Applications will be accepted starting June 1, 2012, for the next fiscal year, which starts July 1, 2012.

Michigan - Funds currently exhausted, but $25 million via a grant becomes available October 1, 2011. $2M cap per hire, and qualifying rates vary from 30-42%.

Minnesota - $1 million has been allocated; please contact the commissioner for details. Rules and requirements will change - no additional information is available.
Have a great day ☼
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Monday, March 28, 2011

U.S. Hispanic population tops 50 million

By Wendell Marsh

The U.S. Hispanic population passed the 50 million mark for the first time and Latinos accounted more than half of U.S. population growth in the last decade, the Census Bureau said on Thursday.

The Census Bureau put the Latino count at 50.5 million or 16.3 percent of the U.S. population. In 2000, Hispanics accounted for 12.5 percent of Americans.

The new numbers were part of a wealth of data released by the bureau, including ethnicity and geographical figures.

Growth in the Hispanic population accounted for more than half of American population growth between 2000 and 2010, the data shows. The Census Bureau said that it had not yet determined if the increases were caused by immigration or births.

The Asian American population grew by almost 43 percent, and now accounts for 4.8 percent of the U.S. population. African American numbers grew slightly to 12.6 percent of the population.

The white population of the United States fell to 72.4 percent in 2010 from 75.1 percent ten years ago.

Over nine million Americans identify themselves as being multiracial.

Census Bureau analysts said that 46.5 percent of all children under the age of 18 are minorities, an indication of how the demographics of the United States are changing.

The overall population of the United States was 308 million people, a figure the agency announced at the end of last year.

(Additional reporting by Tim Gaynor; Editing by Greg McCune)

Thanks Reuters

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Saturday, March 12, 2011

U.S. STATE BY STATE INCENTIVES CHART

STATE BY STATE INCENTIVES CHART

ALABAMA
No changes, no problems.
ALASKA
Legislation has been introduced to expand the program, and extend it to 2023.
ARIZONA
Legislation has passed the AZ Senate to revive the tax credit program; now goes to the House.
CALIFORNIA
No changes -- legislation introduced to extend the 5-year program through 2019.
COLORADO
Legislation to provide collection boxes in theatres so patrons can elect to donate to the film tax credit fund is in progress.
CONNECTICUT
Governor has asked to change the timeframe when the credits can be sold.
FLORIDA
No pressure, no changes.
GEORGIA
Legislative tax committee suggests abolishing the credits; hearings are being held in the GA House, but no legislation has been offered.
HAWAII
Legislation filed to increase the incentives -- passed by Senate, now in House.
IOWA
Program is really, really dead.
ILLINOIS
Stable -- no talk of reductions.
INDIANA
No changes.
KENTUCKY
No changes.
LOUISIANA
No changes.
MASSACHUSETTS
While there is no longer a film commission, the Massachusetts Office of Travel and Tourism has taken over the film office functions. Betty Wall, at (617) 973-8506, heads the office.
MARYLAND
Legislation in process to expand program to $15 million per year. Passage is likely.
MAINE
Might change from refundable to non-refundable.
MICHIGAN
Governor wants to eliminate all tax credits, and allocate $25M per year for the next two years for direct grants, with funds from a tobacco settlement.
MISSISSIPPI
Expanded program has been approved. Waiting for Governor to sign.
MINNESOTA
No changes.
MISSOURI
Appears that the program will be terminated.
MONTANA
Abolishment of the Montana program is part of a tax bill currently in committee.
NEBRASKA
Legislation introduced to provide up to $500K in grants for a film production.
NORTH CAROLINA
No pressure - 25% credit with $1M per hire cap.
NEW JERSEY
Bill to increase the incentive to $50 million per year was vetoed, and attempt to overturn veto failed. In any case, the current freeze expires on July 1, 2011, but it can be extended. Net result - no tax credits.
NEW MEXICO
Governor proposed reduction to 15%; appears that a compromise will keep the incentive at 25%, but impose a yearly rolling cap of $45 million.
NEVADA
No changes - no program.
NEW YORK
Legislation introduced to allow part of writer fees to qualify; NY is a BTL-only credit payable over 1-3 years.
OHIO
No film commissioner, but the 25% credit program continues, with assistance from local film offices.
OKLAHOMA
Possible increase in funds to $10 million. Program is solid, in any case.
OREGON
Legislation in process to improve program, and expand OPIF (Production Fund). Nothing will happen prior to May, 2011.
PENNSYLVANIA
Application process is frozen - no more applications being processed until lifted - should be soon. New budget, if approved, has $60 million per year for tax credits.
PUERTO RICO
New legislation signed , which adds 20% for non-resident talent to the existing 40% tax credit for Puerto-Rico labor and expenses. 20% wh tax on non-residents can be creditable.
RHODE ISLAND
The Governor's new budget, if adopted as proposed, will abolish the Rhode Island film incentive.
SOUTH CAROLINA
No changes.
SOUTH DAKOTA
No changes, none expected.
TENNESSEE
Legislation has been proposed to expand the existing incentives program.
UTAH
Program in the process of being improved to 25%.
VIRGINIA
No changes.
WASHINGTON
Proposed legislation will increase the available funds, extend the program to 2017, and up the television incentive to 35%.
WISCONSIN
Program remains the same - $500K per year. Not likely that it will be increased.
WEST VIRGINIA
No changes planned or anticipated.
WYOMING
Program extended to 2016.

Thanks [US_UK_EU_ProducersAlliance]!

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