Venezuela has the largest proven oil reserves in the world. It was once so rich that Concorde used to fly from Caracas to Paris. But in the last three years its economy has collapsed. Hunger has gripped the nation for years. Now, it’s killing people and animals that are dying of starvation. The Venezuelan government knows, but won’t admit it!!! Four in five Venezuelans live in poverty. People queue for hours to buy food. Much of the time they go without. People are also dying from a lack of medicines. Inflation is at 82,766% and there are warnings it could exceed one million per cent by the end of this year. Venezuelans are trying to get out. The UN says 2.3 million people have fled the country - 7% of the population.
Showing posts with label Youtube. Show all posts
Showing posts with label Youtube. Show all posts

Wednesday, November 6, 2013

YouTube hopes to build on its strength by offering a subscription music service,


YouTube hopes to build on its strength by offering a subscription music service,

As YouTube prepares to launch its subscription music service by the end of the year, the digital music giant is seeking to capitalize on music fans' desire to have access to their favorite songs everywhere they go.

The company's free online video site already is the most popular on-demand music service in the world and has surpassed radio as the leading way teens and young adults listen to songs.

The new service, designed to give paying subscribers commercial-free access to music videos on their portable devices — as well as the ability to store videos and playlists on these gadgets — underscores the importance of smartphones and tablets to YouTube's future.

"Mobile is becoming absolutely enormous for YouTube," said Forrester Research analyst James McQuivey. "The fact is that music has always been a medium that most people are going to want to carry with them and have available at all times. When … you add the visual component of the music video, you're simply sweetening a pot."

YouTube executives have said about 40% of its viewing already happens on mobile devices. Indeed, more than 50.5 million Americans watched videos each month on their cellphones in the second quarter of the year, according to measurement firm Nielsen.

Music videos are among the most sought-after content for YouTube's 1 billion global users, with a popular song like Miley Cyrus' "Wrecking Ball" or Robin Thicke's "Blurred Lines" attracting hundreds of millions of views.

This has made YouTube the dominant online music site, dwarfing its few competitors.

"YouTube is the No. 1 music search directory in the world. The vast majority of the most-viewed videos on YouTube are music," said Richard Greenfield, a BTIG media analyst. "It's a natural evolution to figure out a way to generate increased engagement around music."

YouTube's mobile application lets smartphone or tablet users watch an unlimited number of music videos on these devices, so long as they are connected to the Internet. In some cases, this free mobile access is limited to the official version of the music video. The proposed subscription service, which could launch as soon as December, would allow the user to store, or "cache," these videos or an entire playlist on their devices and watch without the need of a wireless connection.

"Caching is what's critical to mobile," said longtime label executive Ted Cohen, who runs a digital media consulting firm. "Music services are easier to use in St. Louis than they are in New York City because they still haven't wired the subways with Wi-Fi."

A spokesman for YouTube said the Google Inc. unit had no news to announce, but added, "We're always working on new and better ways for people to enjoy YouTube content across all screens, and on giving partners more opportunities to reach their fans."

YouTube's entry in the music subscription business will raise the competitive stakes for such players as Spotify.

"This is a big game-changer for Spotify," Cohen said.

Subscription services are a modest but fast-growing segment of the music business, which in the United States derives more than half of its income from digital sources.

Revenue from subscription services such as Rhapsody and paid versions of Spotify, streaming radio services like Pandora and non-subscription streaming through YouTube and Vevo accounted for about $1 billion in 2012, or about 15% of domestic music sales of $7.1 billion, according to the Recording Industry Assn. of America.

The YouTube subscription service also would integrate with Google Play Music All Access, which for $10 a month affords subscribers unlimited access to its music catalog, the ability to create personalized radio stations and recommendations based on an individual's taste, according to people with knowledge of the situation who were not authorized to speak publicly.

David Bakula, senior vice president of analytics for Nielsen, said the service would leverage YouTube's strength in digital music.

"Obviously YouTube understands the importance of the music consumer to their site," Bakula said. "The volume that we see coming from music streams on YouTube, that kind of volume comes with great potential, great potential for monetization, great potential for serving their viewers."

A premium music service would provide a source of recurring revenue for the music companies, which also receive proceeds from advertising associated with music videos on the site.

Evidence of YouTube's growing clout in the music industry will be on display at the inaugural YouTube Music Awards, to be held Nov. 3 in New York. The show is scheduled to feature appearances by such major acts as Avicii, M.I.A., Eminem and Lady Gaga.

Thank you Los Angeles Time

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Monday, October 15, 2012

Abu Dhabi: Sales Agents To Become Global Distributors...


International sales banners will reinvent themselves as video-on-demand global distributors, Abu Dhabi festival goers are told.

Abu Dhabi – Movie industry attendees at this year's Abu Dhabi Film Festival heard that producers and sales agents will work much more closely together as the internet revolutionises the movie business.

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And representatives from the two business strands of the international film business will also share revenues as a result.

Production Finance Market chief Angus Finney told Abu Dhabi Film Festival goers that the internet will play a part in the evolution of the two businesses.

Right now, sales agents charge a fee for each territory sold then often walk away. In the future sales agents and filmmakers will work together throughout a film's lifespan, "especially with video-on-demand," Finney said.

Speaking at a masterclass, Finney said: "Sales agents will be aligned with producers ... the market is changing so fast that sales agents could take control of all rights. The right sales agent will become increasingly able to control internet release."

The internet has destroyed Hollywood's "push economy" -- studios dictating when and where customers can see films – in favour of a "pull economy."

Catch-up TV and on-demand streaming have put the customer in the driving seat, something which Hollywood has been slow to accept, Finney noted.

Studios have not helped themselves by erecting "walled-gardens around their content, making movies harder to access."

Such a move, Finney said, goes against the grain of the internet.
"They are also terrified about plummeting DVD revenue, which has accounted for 60% of a movie's earnings. The user is the new king," Finney said.

The British born film consultant, author and one time film financier, quoted Amazon founder Jeff Bezos, who said the question is not what is going to change in the next 10 years, but what's going to be left standing by the end of the decade?

Disney, he noted, has reacted to the new horizontal world we all live by getting rid of its silo mentality, tearing down walls between theatrical and home entertainment.

But Finney remains upbeat about prospects for theatrical. Exhibition will become even more important, he claimed.

"Watching films in a cinema is a unique experience that will not be completely replaced by watching films on cellphones or tablets," Finney said.

This is despite the growing importance of handheld devices, which, Finney said previously, will take over as the dominant screen "within months, not years". He said: "Exhibition rights will continue to be sold territory-by-territory, while internet rights could be sold as a single block."

Finney was sceptical about independent producers handling the release of their own films pouring cold water on evangelists for self-distribution, pointing out how hard the sales business is.

Finney was managing director of sales agent Renaissance Films, which went bust in 2005. Movies that Finney handled sales on included The Mother and The Luzhin Defence.

"As a producer you may think you're in control of your film's release, but you have to deal with the same battle for eyeballs which everybody else is dealing with. Distribution is a full-time job," Finney said.

This year's Production Finance Market runs October 17 and18 during the BFI London Film Festival in the British capital.

Thank you Hollywood Reporter.


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YouTube Mulls Allowing Original Content Partners to Charge for Subscriptions...


Robert Kyncl, global head of content at the Google-owned video site, tells the Abu Dhabi Media Summit that a majority of channels would likely remain ad-supported.

ABU DHABI - YouTube is looking at giving its original content channel partners the option to charge users for subscriptions, Robert Kyncl, global head of content at the Google-owned online video site said here Wednesday at the Abu Dhabi Media Summit.

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If the site does go ahead with this approach, "the majority will be ad-supported, and there will be some that will be paid," he predicted.
He later told THR that there are no set plans though and that it was too early to say when such subscriptions could be offered or at what prices.
Industry observers have previously wondered if and when YouTube could offer the subscription option as a potential revenue stream besides advertising.
Kyncl said YouTube's goal for now continues to be "taking the friction out" of the ad process to maximize ad revenue for the site and its partners. Promising advertisers that they only pay when ads are actually viewed draws higher ad rates and benefits all sides, he said.
YouTube typically sells ads against the channels and keeps all revenue up until it recoups its original investment. After that, YouTube and the content partner split ad revenue roughly 50:50.
Kyncl also said that when offering content in a branded and popular context, it draws higher ad rates. For example, he said videos of dogs on skateboards may draw minimal costs per thousand advertisers of $2 or less, but that goes up to $20 when the dogs on skateboard appear on a branded Tony Hawk channel.
Earlier this week, YouTube added more than 60 new original content channels to its lineup, including some from international content partners. The news took the company's original programming push to a more global audience.
In a session entitled "The War for the Living Room: The Internet Takes on Television," Kyncl also predicted that mobile usage by YouTube users will continue to rise. About 50 percent of consumption in parts of the Arabic-speaking world already happens on mobiles, he said.
Asked about the increasing usage of mobile devices during TV viewing, known in the industry as the rise of the "second screen," he quipped that for him, television rather than iPads or smartphones are the second screen.

Thank you Hollywood Reporter


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Friday, October 12, 2012

YouTube to charge fee for some content Robert Kyncl addresses Abu Dhabi Media Summit By NICK VIVARELLI ABU DHABI -- YouTube will start experimenting with charging subscription fees for some of its branded content following its partnerships, announced at Mipcom, with European TV content providers to feed 60 new channels. "You will see us offer an option to all the channels that are our partners to start charging subscriptions for their content," said Robert Kyncl, YouTube's VP, global head of content, speaking at the Abu Dhabi Media Summit. Kyncl added that the partners themselves -- which at this stage include BBC Worldwide, Endemol and FremantleMedia -- will decide if they want to pursue that traditional pay TV broadcasting business model. "The majority will be ad-supported, and there will be some that will be paid," he predicted during a panel titled "The War for the Living Room." As for YouTube's advertising model, Kyncl said one option is for advertisers only to pay for the ads the public watch. "When that happens, they don't mind paying more," he noted. The move sees YouTube continuing to encroach in territory traditionally occupied by broadcasters, now also adopting both their traditional content and pay TV business model. That said, Kyncl emphasized that user-generated content remains absolutely central to the service, "our greatest gift," he said. He also proudly pointed out that in Saudi Arabia 50% of YouTube consumption takes place on mobile devices. Asked what lies ahead, he said "for us the most exciting development is when you will be making selections from your phone and sending them to your TV. That is coming very soon." Thank you Variety


YouTube to charge fee for some content
Robert Kyncl addresses Abu Dhabi Media Summit
By NICK VIVARELLI

ABU DHABI -- YouTube will start experimenting with charging subscription fees for some of its branded content following its partnerships, announced at Mipcom, with European TV content providers to feed 60 new channels.

"You will see us offer an option to all the channels that are our partners to start charging subscriptions for their content," said Robert Kyncl, YouTube's VP, global head of content, speaking at the Abu Dhabi Media Summit.

Kyncl added that the partners themselves -- which at this stage include BBC Worldwide, Endemol and FremantleMedia -- will decide if they want to pursue that traditional pay TV broadcasting business model.

"The majority will be ad-supported, and there will be some that will be paid," he predicted during a panel titled "The War for the Living Room."

As for YouTube's advertising model, Kyncl said one option is for advertisers only to pay for the ads the public watch. "When that happens, they don't mind paying more," he noted.

The move sees YouTube continuing to encroach in territory traditionally occupied by broadcasters, now also adopting both their traditional content and pay TV business model.

That said, Kyncl emphasized that user-generated content remains absolutely central to the service, "our greatest gift," he said.

He also proudly pointed out that in Saudi Arabia 50% of YouTube consumption takes place on mobile devices.

Asked what lies ahead, he said "for us the most exciting development is when you will be making selections from your phone and sending them to your TV. That is coming very soon."

Thank you Variety



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Saturday, September 1, 2012

Google Pulls Plug on TV Ad Sales System...


The TV Ads in Adwords service, which faced industry resistance, will come to an end later this year.

Google Search to Start Targeting Copyright Violators

Google Close to Resolving EU Antitrust Probe

Google is pulling the plug on an online exchange that tried to establish the online giant as a major player in the sale of TV ad spots.

In a blog post late Thursday, Google said it would end its TV Ads in Adwords service later this year.
Google has been successfully selling paid-search ads online and wanted to push into the TV ad space, but faced resistance from established players in the TV and advertising communities.
Google's Second-Quarter Financial Report Impresses Wall Street
Hallmark Channel and NBCUniversal's cable channels became early partners, hoping to draw more local advertisers that Google has relationships with. But the Google ad venture was dealt a setback in 2010 when NBCUniversal ended its deal a year early.
"In 2007, we launched Google TV Ads in AdWords to bring digital buying and measurement technologies to traditional TV advertising," Shishir Mehrotra, vp of product at Google's YouTube, wrote in the blog post late Thursday. "Since then, lots of our clients have bought traditional TV advertising for the first time. However, video is increasingly going digital, and users are now watching across numerous devices."
Added Mehrotra: "The future of video advertising is extremely bright, and we're excited to devote ourselves fully to it."
The service's staff would be moved "to other areas at Google," the post said without providing more details.

Thank you Hollywood Reporter

More info: www.hollywoodreporter.com
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Tuesday, August 16, 2011

Movieclips Raises $7 Million; Strikes Deal With YouTube...

The company, which licenses content from the major studios, slices films into short scenes and makes them easy to locate on the Internet.

Movieclips, which puts scenes from movies on the Internet and makes them easy to find, is set to announce Tuesday that it has raised $7 million in a second round of funding and has struck a deal for putting 20,000 HD movie clips on YouTube.

The funding round was led by MK Capital and includes several people and entities that invested in a previous round that raised $3 million.

Movieclips licenses films from several studios and chops them into scenes that can be searched for by title and actor, of course, but also by dialogue, props, locations and more.
Headquartered in Los Angeles, the company employs 25 people but will hire an additional 10-15 in light of the new funding and relationship with YouTube, said co-founder Richard Raddon.
"It's the first time that this much licensed movie clip content will be available on YouTube." Raddon said.

The same content was already available at Movieclips.com, but YouTube will put it in front of far more people and on mobile devices and Internet-connected TV screens.
"They take away a lot of the burden for a startup to get on these platforms," Raddon said. "We believe YouTube will be the next cable."

Movieclips earns money by selling ads that it attaches to the film scenes, and typically it has a revenue-share deal with studios, as it now does with YouTube, as well.

Thank you Hollywood Reporter

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Thursday, April 14, 2011

YouTube to require 'tutorials' for copyright offenders...

Google Inc.'s online video behemoth YouTube toughened its enforcement of copyright laws, requiring violators to attend "copyright school" and pass a test before they can resume uploading videos to the site.

The changes come amid calls -- both in Hollywood and in Congress -- that YouTube do more to combat piracy. Google General Counsel Kent Walker recently defended the search giant's commitment to content protection in testimony this month before the House Judiciary Committee's subcommittee on intellectual property.

Under the new rules, YouTube users who receive notice that they used someone else's content without authorization must attend "YouTube Copyright School," which entails watching a tutorial and passing a quiz to demonstrate they understand the rules governing content. YouTube also created an online resource center to help educate YouTube user about the nuances of copyright law.

"Because copyright law can be complicated, education is critical to ensure that our users understand the rules and continue to play by them," YouTube wrote in a blog post Thursday notifying users of the new policy. "That's why today we're releasing a new tutorial on copyright and a redesigned copyright help center. We're also making two changes to our copyright process to be sure that our users understand the rules, and that users who abide by those rules can remain active on the site."

YouTube suspends users who have received three notices of copyright violation. Under the new rules, longtime YouTube content creators, who have uploaded "thousands" of videos but nonetheless receive a third strike, can avoid suspension if they successfully complete the copyright school and demonstrate "good behavior over time."

Christopher J. Dodd, the new head of the Motion Picture Assn. of America, the industry's lobbying arm, issued a statement applauding Google's recognition of copyright problems on YouTube -- and calling on the search giant to do even more to deter Internet piracy.

"To help demonstrate whether its new program is effective, we would hope that Google shares the data regarding its impact on repeat infringers as well as details on the speed in which it takes down illegal content found on its sites," Dodd said in a statement. "We also hope that Google will now take long overdue steps to address its role as a search engine in providing priority listings and rankings for rogue sites offering stolen movies and television shows."

YouTube has had a Content ID system in place since 2007 that scans videos as they are uploaded to determine whether it is someone else's copyrighted work. If the system finds a match, YouTube follows the rules the content owner has put in place to determine what to do with the new video -- whether to block it, track it or attempt to place advertising against it and share the revenue.

Thank you Los Angeles Times

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Saturday, March 12, 2011

YouTube launches summer "creators" program with USC, Columbia College of Chicago

YouTube has formed a partnership with the USC School of Cinematic Arts and Columbia College Chicago to offer a series of new media classes for budding YouTubers to hone their creative skills.

The newly launched program, dubbed YouTube Creator Institute, will begin offering courses this summer that touch on various aspects of digital media, from developing story arcs and cinematography, to making money and employing social media to build audiences.

The YouTube-USC program will run May 25 to June 22 in Los Angeles.
Columbia College's institute begins May 31 and ends July 22, and will be housed in the school's television department in Chicago.
Each will accept 10 students.

Thank you Los Angeles Times


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Friday, March 4, 2011

Industry News: YouTube Eyes Launch of Subscription Service for Movies in U.K...

The Google site may start its offer in Europe where it faces less competition before bringing it to the U.S.
NEW YORK - Google's YouTube is looking to launch an unlimited subscription service for movies that is similar to Netflix's streaming service and an Amazon.com offer, but is considering starting it in Europe, particularly the U.K., where it faces less competition, the New York Post reported Friday.
The Internet company, which has been in talks with Hollywood studios in recent months, would then bring the service to the U.S., the paper said, citing executives with knowledge of the plan. Amazon recently acquired U.K. streaming movie service LoveFilm.
"Google is going to be launching channels in Europe and will launch a subscription video-on-demand service," one Hollywood executive told the Post. "They are going to spend $100 million on content."
YouTube has faced hurdles in its talks with studios given its legal battle with Paramount parent Viacom and other studios' concerns about piracy, the Post said. But it reported that Google may share advertising revenue with content providers to entice them to partner with YouTube.

Thank you Hollywood Reporter


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