Venezuela has the largest proven oil reserves in the world. It was once so rich that Concorde used to fly from Caracas to Paris. But in the last three years its economy has collapsed. Hunger has gripped the nation for years. Now, it’s killing people and animals that are dying of starvation. The Venezuelan government knows, but won’t admit it!!! Four in five Venezuelans live in poverty. People queue for hours to buy food. Much of the time they go without. People are also dying from a lack of medicines. Inflation is at 82,766% and there are warnings it could exceed one million per cent by the end of this year. Venezuelans are trying to get out. The UN says 2.3 million people have fled the country - 7% of the population.
Showing posts with label Lawsuit. Show all posts
Showing posts with label Lawsuit. Show all posts

Wednesday, September 5, 2012

Interns, Internships and 20th Century Fox...



Kids off the Bus Fire Back: Internship Lawsuit Goes Class Action

September 4, 2012  | By Mark London Williams


“The summer is past, the harvest is here, and we are not saved,” remarked the prophet Jeremiah about the fall season, and this autumn, another thing that might not be salvageable is the Hollywood tradition of dangling putative glitz and glamor to newcomers to get them to work as unpaid interns as a first step in “dues-paying” their way up the chain of showbiz command.

But two plaintiffs who worked on the film Black Swan, have sued 20th Century Fox, saying, in effect the internship programs have been used simply for unpaid labor – at the “gofer” level of fetching and errand-running – rather than working as an unpaid apprentice, learning rudimentary aspects of a specific skill, which is generally how the position is advertised.

As Joe Satran described it in the Huffngton Post, however, a “small skirmish” was won recently by the plaintiffs – interns Eric Glatt and Alexander Footman – when “Judge William H. Pauley III allowed them to file a motion to amend their suit to expand the plaintiff class to include everyone who has worked as an unpaid intern at Fox Entertainment Group for the past several years.”

The deadline to file the motion is Sept. 5, and the Judge said he would rule on it at a hearing Oct. 9. According to the article, “Pauley encouraged Fox’s legal team not to contest the motion.”

Even though the trial itself – if there is one – isn’t slated for 2013, there’s already fallout from suit. Union Roundup caught up with Gabrielle Wirth, a partner at the international law firm Dorsey & Whitney, who specializes in employee and labor law, especially as it is practiced here in California.

She notes that the problem – having “lost track of an internship being…an internship,” – is endemic in a lot of creative industries, not only showbiz, but fashion and showbiz as well. You couldn’t really send someone for coffee or dry cleaning if it was an internship in building cars, or creating methane-eating bacteria in a lab. But it happens a lot in industries perceived to have “sex appeal.”

There are, she notes, fairly “strict standards put forth by the Department of Labor” about what internships are actually supposed to be, and in response to the lawsuit, she says many studios have “already started paying minimum wage” for these positions.

Which makes it more interesting, since the suit is over unpaid internships. Once the intern becomes paid, even – especially? – at minimum wage, it’s once again fair game to… send them out for coffee and dry cleaning. But employers are also mindful of the overtime provisions that would kick in, so student interns wouldn’t be on set for 13-plus hours of gofering, under this arrangement.

Of course, this also means that once the work is recognized as essentially being paid gofer work – and not an internship – all those potential interns in that potential class-action suit could now be liable for back pay. Talk about residuals!

Wirth’s firm also helps companies structure their own internships to comply with the law. One of the changes she expects to become even more pronounced is that these programs will increasingly be under the province of schools – like UCLA, USC, and Chapman University – that have renowned film programs, and can place students in such programs.

Colleges could help define what “the student expects to get out of” the internship, as well as overseeing that the programs aren’t used strictly as a “pre-interview” process. Not that anyone would object to being offered steady work after completing such a program, but the Department of Labor is pretty clear that you can’t simply set up a program so that someone’s “probationary period,” as it were, is simply unpaid work.

And the schools, she’s pretty sure, would be glad to oversee the programs because it would be “far easier to have their grads” be the ones who have a leg up – due to the on-the-job experience – to find work, the actual paid kind, in the industry afterwards. Plus, the schools can “take the onus off the employer,” i.e., the studios, in making sure the programs are compliant.

And with the studios actually paying their P.A.’s, instead of just calling them “interns,” this may help with another aspect of breaking in. The Huffington Post piece quotes John WIlliams, founder of Reel Works Teen Filmmaking, a group which mentors underprivileged youth to help them break into the film industry. “If you’re a poor kid, or you can’t afford to work for free, and people are saying you should work for free, that’s going to favor kids who can do that, whose parents can pay their bills for years. It probably has an impact on how diverse the film industry is,” he says.

The implication, then, is that the minimum wage job on the set will still give you a leg up compared to, say, the minimum wage job at Wal-Mart or McDonald’s. Though one wonders if ultimately those whose families can afford to send them to the colleges overseeing the internship programs will still have the “legs up.”

Time will tell, and the first steps on that calendar will be the hearing on the motion to expand to “class action width” in the suit, and then – if it gets that far – the actual trial next year.

Meanwhile, if you’re asked to fetch a producer’s dry cleaning, instead of being able to log hours rigging lights or cutting costumes, like you were promised, take comfort in the fact that – at least in California – you’re getting upwards of eight bucks an hour for your efforts. Plus overtime.

And hey – there’s usually free food on set, too.



Thank you Below the line news.com

More info: http://www.btlnews.com/crafts/kids-off-the-bus-fire-back-internship-lawsuit-goes-class-action/
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Monday, August 27, 2012

Judge Rules DGA Foreign Levies Reports Acceptable But Lawyer Claims They Don't '


Judge Rules DGA Foreign Levies Reports Acceptable But Lawyer Claims They Don't '
The court finds that the guild is complying with a settlement agreement, dismissing plaintiff counsel's argument that more information should be required.

A California judge ruled Wednesday that the Directors Guild is complying with a 2008 settlement agreement requiring it to report certain data related to foreign royalties, brushing aside the motion of a lawyer who told the court that the DGA reports were all but incomprehensible.
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"We've engaged consultants," Neville Johnson of Johnson & Johnson LLP told The Hollywood Reporter. "But they say they can't make sense (of the DGA reports)." Johnson represents a class of non-DGA members who are entitled to receive foreign royalties paid out by the guild.
The DGA countered in a statement that it "has distributed more than $121 million in foreign levies, including over $13 million to more than 3,400 non-members." The guild added, "It was a hard-fought effort to attain these funds and we are very proud of our efforts."
Johnson's position is that even if the DGA is complying with the letter of the settlement agreement, it wasn't in tune with the spirit of the pact, and he urged Judge John Wiley to require more. The judge declined, notwithstanding Johnson's argument that since he maintained jurisdiction over the case, he should ensure that the information provided be clear and adequate.
But Wiley – in Johnson's words – said that "if you make a settlement agreement, that's all you get."
The judge's denial of Johnson's motion was "with prejudice," meaning that it can't be refiled. Johnson can, however, appeal, and said his office was deciding whether to do so. He has 60 days to decide and said it was likely that he would.
Foreign royalties are complex. Collection societies in certain countries collect the sums based on various government regulations, then remit a portion of the U.S.-destined payments to the DGA, WGA and SAG for payment to individual "authors" (i.e., writers and directors) and performers.
Another portion of the collected monies is paid to the U.S. studios or producers, who under U.S. law and customary entertainment contracts are deemed the authors of the movies, television shows and other audiovisual works at issue. The fact that monies are split between the studios and the individuals is a consequence of balancing the contrasting U.S. and foreign definitions of "author" and was arrived at in agreements between the guilds and studios in the early 1990s.
According to a geographic breakdown prepared by the WGA, 51 percent of the $147.5 million it's collected in the last 20 years came from Germany. Next, with 8 percent to 11 percent each, were France, Argentina, Switzerland and Spain. No other territory constituted more than 3 percent of the total.
More information can be found on the DGA, SAG-AFTRA and WGA West websites. The SAG-AFTRA royalties collected as of mid-2011 totaled under $21 million, or less than one-fifth of what the WGA and DGA collected. That's due in part to the fact that fewer countries provide for performers to receive foreign royalties than do for authors.
Foreign royalties are distinct from foreign residuals. The latter are computed according to the terms of the collective bargaining agreements between the unions and studios. As confusing as residuals – and especially foreign residuals – can be, foreign royalties are even murkier.
Whether the unions even have the right to collect such royalties, let alone on behalf of non-members and/or for movies and TV shows that aren't under their jurisdiction, was the subject of three class-action lawsuits – one against each union – filed in the mid-2000s.
Those lawsuits were settled, with the unions permitted to make collections and disbursements, subject to reporting. But for various reasons, the reporting requirements ended up being different for each union, notwithstanding the fact that all three lawsuits were assigned to the same L.A. Superior Court judge, Carl West. None of them is particularly detailed, however.
West ultimately retired and was succeeded on the case by Wiley. Johnson said that Wednesday's hearing was Wiley's first on the case and attributed his decision in part to not having been on the three cases for the more than half-decade that West was.
Johnson also failed to persuade the judge to award additional attorneys fees beyond what he had already received. Johnson told THR that he might seek to withdraw from the case as a result and have new counsel appointed.

Thank you Hollywood Reporter



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Why the Apple v. Samsung Ruling May Not Hold Up


Why the Apple v. Samsung Ruling May Not Hold Up

By Pamela Jones - Groklaw


Late in the process yesterday at the Apple v. Samsung trial, when the parties and the judge were reviewing the jury verdict form, Samsung noticed that there were, indeed, inconsistencies in the jury's verdict form, a possibility Samsung anticipated [PDF]. Here's the jury's Amended Verdict Form [PDF], amended to fix the mistakes. Here's the original [PDF]. Here's the note [PDF] the jury sent to the judge when told to fix the inconsistencies. What are they, they asked? "Please let the jury know," they wrote in the only note ever sent in their deliberations, "of the inconsistencies we are supposed to deliberate on."
We sort of assumed that Friday's decision in the Apple vs Samsung trial wouldn't be the last we heard of the case. But Groklaw has gone through various quotes from the jurors and legal experts, and it looks like Samsung's going to have very strong grounds for appeal thanks to one wildly inconsistent jury.
In two instances, results were crazily contradictory, and the judge had to have the jury go back and fix the goofs. As a result the damages award was reduced to $1,049,343,540, 1 down from $1,051,855,000. For just one example, the jury had said one device didn't infringe, but then they awarded Apple $2 million for inducement. In another they awarded a couple of hundred thousand for a device they'd ruled didn't infringe at all. This all was revealed by The Verge in its live blog coverage:
The jury appears to have awarded damages for the Galaxy Tab 10.1 LTE infringing—$219,694 worth—but didn't find that it had actually infringed anything....A similar inconsistency exists for the Intercept, for which they'd awarded Apple over $2 million
Intercept: "The jury found no direct infringement but did find inducement" for the '915 and '163 utility patents. If a device didn't infringe, it would be rather hard for a company to induce said non-existant infringement.
Obviously, something is very wrong with this picture. The Verge also reported that the jury foreman, who is a patent holder himself [this appears to be his patent, "Method and apparatus for recording and storing video information"], told court officials that the jury didn't need the answer to its question to reach a verdict:
The foreman told a court representative that the jurors had reached a decision without needing the instructions.
That's why I don't think this jury's ruling will stand, among other reasons.
I thought it wise to highlight this, because I saw this morning that some missed seeing it. For example, James Niccolai at PCWorld quotes a "legal expert" who clearly didn't:
"It's surprising they came back so quickly, given that it was a complicated case and very complicated verdict form, but that said, it looks like they were thoughtful about it and they did their job," said Roy Futterman, director at DOAR Litigation Consulting and a clinical psychologist who works on trial strategies and the mindset of jurors.
"One sign of that is that the verdicts were consistent, they held together — they voted one way on infringement and another way on invalidity; it all tells the same big story," he said.
That's in an article titled "Quick Verdict in Apple Trial Doesn't Mean Jury Shirked Its Duty, Expert Says." If the jury instructions [PDF] are as long and complex as they were in this case, a quick verdict can indeed mean it shirked its duty. For example, if the jury rushed so much it assigned $2 million dollars to Apple, and then had to subtract it because there was no infringement, it raises a valid question: what was the basis for any of the damages figures the jury came up with? If they had any actual basis, how could they goof like this? Was there a factual basis for any of the damages figures?
Time will tell, but keep in mind that one of the plays you'll see next will likely be a Rule 50(b) motion by Samsung, and that's the one where you ask the judge for various relief on the basis that no reasonable jury could find what it did find on the evidence presented. Here's Google's still pending Rule 50(b) motion for judgment as a matter of law in the Oracle v. Google case, to give you an idea of what they look like. As you can see, you can ask for victory across the board or just on one part of what the jury decided.
This story is far from over, in other words, and while Apple's CEO, Tim Cook, waxed philosophical about the trial, and saying that it was about values, not money, one important US value is that the jury fulfill its responsibilities, one of which is to read and make sure they understand and follow the jury instructions they are given. I believe Cook would agree that trials are supposed to be fair, with everyone doing their part. If this jury thought they knew the right result without instructions, and if they hurried so much they made glaring mistakes, and they did, and all in Apple's favor, something isn't right in this picture. As the legal blog, Above the Law expressed it:
Here's the thing, ladies and gentlemen of the Apple v. Samsung jury: It would take me more than three days to understand all the terms in the verdict! Much less come to a legally binding decision on all of these separate issues. Did you guys just flip a coin?
If it would take a lawyer three days to make sure he understood the terms in the form, how did the jury not need the time to do the same? There were 700 questions, remember, and one thing is plain, that the jury didn't take the time to avoid inconsistencies, one of which resulted in the jury casually throwing numbers around, like $2 million dollars for a nonfringement.
Come on. This is farce.
Professor Michael Risch points out an even worse inconsistency:
How did the Galaxy Tab escape design patent infringement? This was the only device to be preliminarily enjoined (on appeal no less), and yet it was the one of the few devices to be spared the sledgehammer. And, by the way, it looks an awful lot like an iPad. Yet the Epic 4G, a phone I own (uh oh, Apple's coming after me)—which has a slide out keyboard, a curved top and bottom, 4 buttons on the bottom, the word Samsung printed across the top, buttons in different places (and I know this because I look in all the wrong places on my wife's iTouch), a differently shaped speaker, a differently placed camera, etc.—that device infringes the iPhone design patents....
Relatedly, the ability to get a design patent on a user interface implies that design patent law is broken. This, to me, is the Supreme Court issue in this case. We can dicker about the facts of point 2, but whether you can stop all people from having square icons in rows of 4 with a dock is something that I thought we settled in Lotus v. Borland 15 years ago. I commend Apple for finding a way around basic UI law, but this type of ruling cannot stand.
This is the second lawyer I've seen predicting this case will go all the way to the US Supreme Court. He also compliments Groklaw for having "not only really detailed information, but really accurate information, and actual source documents. That combination is hard to find." Thank you.
One of the jurors has now spoken, and CNET's Greg Sandoval has it, in his article, Exclusive: Apple-Samsung juror speaks out:
Apple v. Samsung juror Manuel Ilagan said the nine-person jury that heard the patent infringement case between the companies knew after the first day that it believed Samsung had wronged Apple....
The decision was very one-sided, but Ilagan said it wasn't clear the jurors were largely in agreement until after the first day of deliberations.
"It didn't dawn on us [that we agreed that Samsung had infringed] on the first day," Ilagan said. "We were debating heavily, especially about the patents on bounce back and pinch-to-zoom. Apple said they owned patents, but we were debating about the prior art [about the same technology that Samsung said existed before the iPhone debuted]. [Velvin Hogan] was jury foreman. He had experience. He owned patents himself. In the beginning the debate was heated, but it was still civil. Hogan holds patents, so he took us through his experience. After that it was easier. After we debated that first patent — what was prior art —because we had a hard time believing there was no prior art, that there wasn't something out there before Apple.
"In fact we skipped that one," Ilagan continued, "so we could go on faster. It was bogging us down." ...
"Once you determine that Samsung violated the patents," Ilagan said, "it's easy to just go down those different [Samsung] products because it was all the same. Like the trade dress, once you determine Samsung violated the trade dress, the flatscreen with the Bezel...then you go down the products to see if it had a bezel. But we took our time. We didn't rush. We had a debate before we made a decision. Sometimes it was getting heated."
This gets worse and worse.
Dan Levine of Reuters has some words from the foreman:
"We wanted to make sure the message we sent was not just a slap on the wrist," Hogan said. "We wanted to make sure it was sufficiently high to be painful, but not unreasonable."
Hogan said jurors were able to complete their deliberations in less than three days — much faster than legal experts had predicted — because a few had engineering and legal experience, which helped with the complex issues in play. Once they determined Apple's patents were valid, jurors evaluated every single device separately, he said.
Now the jurors are contradicting each other. Lordy, the more they talk, the worse it gets. I'm sure Samsung is glad they are talking, though. Had they read the full jury instructions, all 109 pages [as PDF], they would have read that damages are not supposed to punish, merely to compensate for losses. Here's what they would have found in Final Jury Instruction No. 35, in part:
The amount of those damages must be adequate to compensate the patent holder for the infringement. A damages award should put the patent holder in approximately the financial position it would have been in had the infringement not occurred, but in no event may the damages award be less than a reasonable royalty. You should keep in mind that the damages you award are meant to compensate the patent holder and not to punish an infringer.
The same instruction is repeated in Final Jury Instruction No. 53, in case they missed it the first time. Did they obey those instructions? Nay, did they even read them? The evidence, judging by the foreman's reported words, point the wrong way.
Samsung lawyer John Quinn is quoted by USA Today saying they'll be asking the judge to toss this out and then appeal, if she does not:
Samsung, the global leader among smartphone makers, vowed to fight. Its lawyers told the judge it intended to ask her to toss out the verdict.
"This decision should not be allowed to stand because it would discourage innovation and limit the rights of consumers to make choices for themselves," Samsung lead lawyer John Quinn said. He argued that the judge or an appeals court should overturn the verdict.
Apple lawyers plan to formally demand Samsung pull its most popular cellphones and computer tablets from the U.S. market. They also can ask the judge to triple the damages from $1.05 billion to $3 billion.
U.S. District Judge Lucy Koh will decide those issues, along with Samsung's demand she overturn the jury's verdict, in several weeks. Quinn said Samsung would appeal if the judge refuses to toss out the decision....
Samsung said after the verdict that it was "unfortunate that patent law can be manipulated to give one company a monopoly over rectangles with rounded corners."
"This is by no means the final word in this case," Quinn said in a statement. "Patent law should not be twisted so as to give one company a monopoly over the shape of smartphones."
One more quote from the foreman, thanks to Bloomberg News:
When I got in this case and I started looking at these patents I considered: "If this was my patent and I was accused, could I defend it?" Hogan explained. On the night of Aug. 22, after closing arguments, "a light bulb went on in my head," he said. "I thought, I need to do this for all of them.
And in case you think Groklaw is the only one to notice, it's actually a known problem that juries tend to over compensate plaintiffs, as brought out in this AP article by Paul Elias:
Increasingly these highly complex disputes are being decided by juries, rather than judges, and the juries tend to issue more generous awards for patent violations.
That has companies on the receiving end of successful patent infringement lawsuits crying foul and calling for reform in the patent system, but it also has some legal experts questioning whether ordinary citizens should be rendering verdicts and fixing damages in such high stakes, highly technical cases.
"That's a great question ... and it's the subject of a fair amount of current debate," said Notre Dame University law professor Mark McKenna....
"This case is unmanageable for a jury," Robin Feldman, an intellectual property professor at the University of California Hastings Law School, said before the verdict. "There are more than 100 pages of jury instructions. I don't give that much reading to my law students. They can't possible digest it."
"The trial is evidence of a patent system that is out of control," Feldman said. "No matter what happens in this trial, I think people will need to step back and ask whether we've gone too far in the intellectual property system."
___________
1 Is that math even correct, even after the fix? One reader did the math, and he or she thinks their math is off, and the right total, even if all else is accurate, should be $1,049,423,540. Here's the calculation, taken from the Amended Verdict Form [PDF], so you can do your own checking:



Thank you Gizmodo!

More info: www.gizmodo.com
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Saturday, August 25, 2012

Apple awarded $1 billion in Samsung patent case


Apple awarded $1 billion in Samsung patent case

Federal jury rules Samsung violated Apple's copyright on tablets, smartphones

SAN JOSE, Calif. (AP) -- After a year of scorched-earth litigation, a jury decided Friday that Samsung ripped off the innovative technology used by Apple to create its revolutionary iPhone and iPad.
The jury ordered Samsung to pay Apple $1.05 billion. An appeal is expected.
Apple Inc. filed its patent infringement lawsuit in April 2011 and engaged legions of the country's highest-paid patent lawyers to demand $2.5 billion from its top smartphone competitor. Samsung Electronics Co. fired back with its own lawsuit seeking $399 million.
During closing arguments, Apple attorney Harold McElhinny claimed Samsung was having a "crisis of design" after the 2007 launch of the iPhone, and executives with the South Korean company were determined to illegally cash in on the success of the revolutionary device.
Samsung's lawyers countered that it was simply and legally giving consumers what they want: Smart phones with big screens. They said Samsung didn't violate any of Apple's patents and further alleged innovations claimed by Apple were actually created by other companies.
Samsung has emerged as one of Apple's biggest rivals and has overtaken Apple as the leading smartphone maker.
Samsung's Galaxy line of phones run on Android, a mobile operating system that Google Inc. has given out for free to Samsung and other phone makers.
Samsung conceded that Apple makes great products but said it doesn't have a monopoly on the design of rectangle phones with rounded corners that it claimed it created.
The trial came after each side filed a blizzard of legal motions and refused advisories by U.S. District Judge Lucy Koh to settle the dispute out of court.
Deliberations by the jury of seven men and two women began Wednesday.
Samsung has sold 22.7 million smartphones and tablets that Apple claimed uses its technology. McElhinny said those devices accounted for $8.16 billion in sales since June 2010.
Apple and Samsung combined account for more than half of global smartphone sales.
As part of its lawsuit, Apple also demanded that Samsung pull its most popular cellphones and computer tablets from the U.S. market.
From the beginning, legal experts and Wall Street analysts viewed Samsung as the underdog in the case. Apple's headquarters is a mere 10 miles from the courthouse, and jurors were picked from the heart of Silicon Valley where Apple's late founder Steve Jobs is a revered technological pioneer.
While the legal and technological issues were complex, patent expert Alexander I. Poltorak previously said the case would likely boil down to whether jurors believe Samsung's products look and feel almost identical to Apple's iPhone and iPad.
To overcome that challenge at trial, Samsung's lawyers argued that many of Apple's claims of innovation were either obvious concepts or ideas stolen from Sony Corp. and others. Experts called that line of argument a high-risk strategy because of Apple's reputation as an innovator.
Apple's lawyers argued there is almost no difference between Samsung products and those of Apple, and presented internal Samsung documents they said showed it copied Apple designs. Samsung lawyers insisted that several other companies and inventors had previously developed much of the Apple technology at issue.
The U.S. trial is just the latest skirmish between the two tech giants over product designs. Previous legal battles were fought in Australia, the United Kingdom and Germany.
The U.S. case is one of some 50 lawsuits among myriad telecommunications companies jockeying for position in the burgeoning $219 billion market for smartphones and computer tablets.
A jury has ruled for Apple in its huge smartphone patent infringement case involving Samsung and ordered Samsung to pay $1.5 billion.
The verdict was reached Friday.
In its lawsuit filed last year, Apple Inc. had demanded $2.5 billion while accusing Samsung of ripping off the design technology of iPhones and iPads.
During closing arguments at the trial, Samsung attorney Charles Verhoeven called that demand ridiculous and asked the jury to award Samsung $399 million after claiming Apple used Samsung Electronics Co. technology without proper compensation.
The two companies lead the $219 billion market for smartphones and computer tablets. They are enmeshed in similar lawsuits in the United Kingdom, Germany and Australia.

Thank you Variety!
More info: www.variety.com
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Thursday, August 23, 2012

Why Hollywood Wins in Judge's Rejection of Facebook Privacy Settlement..


Big tech companies like Facebook and Google have been using settlements in privacy lawsuits to fund organizations that have their back in copyright battles with Hollywood.

In a ruling on Friday, a San Francisco judge rejected a $20 million settlement in a class action lawsuit over whether Facebook violated the privacy of its users by featuring them in a "Sponsored Stories" advertisement program.

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The rejection of a settlement where half of the money was to go to lawyers and half to "charity" and almost nothing to actual victims could bolster attention on a maneuver that allows big tech companies like Facebook and Google to funnel money to organizations that are hostile to Hollywood's pro-copyright agenda.
The original lawsuit itself had little to do with Hollywood. Nevertheless, it touches entertainment anyway thanks to the judge's address of cy pres, a legal doctrine born out of Norman French and old estate law that roughly means that when it's hard or impractical to award compensation in court cases, payment can be made as "near as possible," including to not-for-profit organizations with similar interests.
The plaintiffs in the "Sponsored Stories" case sued Facebook for allegedly violating their rights of publicity and California's unfair competition law by using their names and images without consent in ads that were shown to users' online friends on the social network. After two years of litigation, the dispute settled. Facebook agreed to pay $10 million to the plaintiffs' lawyers, $10 million to cy pres recipients, and $37,500 to the three class representatives who were named as plaintiffs. Facebook also agreed to make policy changes that the plaintiffs' expert economist estimated to be worth $103.2 million.
At a hearing earlier this month, U.S. District Judge Richard Seeborg was openly skeptical about the cy pres award, wondering how lawyers arrived at that amount and how it stood to benefit Facebook's users. In a ruling rejecting the proposed settlement on Friday, the judge followed this up by saying, "Although it is not a precise science, plaintiffs must show that the cy pres payment represents a reasonable settlement of past damages claims, and that it was not merely plucked from thin air, or wholly inconsequential to them..."
Although the judge didn't rule out the possibility of a cy pres payment in the case -- and reportedly even asked at the hearing, "Why shouldn't the cy pres be $100 million?" -- more focus on who is getting cy press money could be around the bend.
In a column for Forbes in late July, legal analyst Roger Parloff pointed out that a good chunk of cy pres money awarded in privacy cases is going to organizations that "would very likely be getting at least some donations from Google or Facebook" anyway. He notes that recipients Electronic Frontier Foundation, the Center for Democracy and Technology, and the Center for Internet and Society at Stanford collect voluntary contributions from the two big tech companies and "all reliably line up on the tech sector side in scrimmages with copyright holders."
To be fair, each of these organizations does in fact often take strong positions against tech companies on privacy issues, so in a certain regard, it's perfectly appropriate to award them money to monitor these companies going forward.
But so does the Electronic Privacy Information Center, which hasn't found it as easy to collect such money. The difference is that EPIC doesn't win friends in Silicon Valley by taking on Hollywood in legislative and policy debates. It doesn't because copyright matters are mostly outside its purview. Such a disadvantage once led EPIC to complain that one Google cy pres settlement served to divert money "to organizations that are currently paid by Google to lobby for or to consult for the company."
To avoid being shut out of a possible "sponsored stories" settlement, the EPIC along with other groups like the Center for Digital Democracy, the Privacy Rights Clearinghouse, and the Institute for Public Representation at Georgetown University, have asked to the court to adopt a procedure previously proposed in privacy cases involving Google Buzz and Netflix whereby potential cy pres recipients would disclose connections and contributions from Facebook.

Thank you Hollywood Reporter !
More: http://www.hollywoodreporter.com/

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Monday, October 17, 2011

Actress sues Amazon/IMDb for revealing her age

It seems impossible to get IMDb to change the information. Finally, someone has sued them.

http://tinyurl.com/6ctld8m

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Saturday, August 13, 2011

Massive Piracy Lawsuit Over 'The Expendables' Hits Big Roadblock...

Nu Image's lawsuit against 23,322 alleged pirates of The Expendables has taken a big hit. A federal judge in Washington has ordered that the studio must have a good-faith basis for believing those defendants reside in the local jurisdiction before proceeding further. An order issued last week might force the plaintiff's attorneys to drop a good majority of the anonymous John Does who were sued in one of the biggest mass copyright infringement lawsuits in Hollywood history.

As we've reported, the lawsuit was filed earlier this year by the US Copyright Group, a DC-based legal team that has helped pioneer an economical way to sue pirates in US courts. USCG joins multiple individual defendants in a single lawsuit and subpoenas ISPs to identify its customers flagged for sharing copyrighted content on BitTorrent. After that happens, letters are then sent out with demands to settle, lest those identified be pursued in follow-up litigation.

USCG's strategy was first employed on behalf of several independent film companies, and then hit the big time when the firm represented makers of the Oscar-winning film The Hurt Locker.
Despite resistance from ISPs, which have objected to the "heavy burden" of complying with massive subpoena requests, and despite some push-back by non-profit legal organizations like the EFF and the ACLU, USGC has been quite successful over the past year in getting judges to waive away procedural and jurisdictional objections.

But now the USCG has run into DC District Court Judge Robert Wilkins, who appears to be less friendly to the legal tact, questioning why pirates outside of his district should be sued in his courtroom.

Last month, the judge ordered the plaintiff to show cause why venue and joinder is proper for all 23,322 alleged pirates of The Expendables.

USGC argued that the initial filing was akin to a request for jurisdictional discovery and that such requests have been granted liberally in the past. The firm said it was unusual for courts to dismiss a case for lack of personal jurisdiction before residency could or couldn't be established in the discovery process.

In a decision last week, Judge Wilkins retorts, "While those propositions are generally true, it is also true that the Court 'has broad discretion in its resolution of discovery problems that arise in cases pending before it.' The Court's broad discretion includes imposing reasonable limitations on discovery, particularly where, as here, the Court has a duty to prevent undue burden, harassment, and expense of third parties."

In other words, the judge says he's under no firm obligation to let USGC go on a fishing expedition, and he leans towards the interests of ISPs that don't wish to submit to discovery. Moreover, he encourages the USGC to bring its case against those John Does in other court districts.

And so, Judge Wilkins has decided to only entertain subpoena requests on internet accounts reasonably believed to be located in the District of Columbia.

Thank you Hollywood Reporter

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