Venezuela has the largest proven oil reserves in the world. It was once so rich that Concorde used to fly from Caracas to Paris. But in the last three years its economy has collapsed. Hunger has gripped the nation for years. Now, it’s killing people and animals that are dying of starvation. The Venezuelan government knows, but won’t admit it!!! Four in five Venezuelans live in poverty. People queue for hours to buy food. Much of the time they go without. People are also dying from a lack of medicines. Inflation is at 82,766% and there are warnings it could exceed one million per cent by the end of this year. Venezuelans are trying to get out. The UN says 2.3 million people have fled the country - 7% of the population.
Showing posts with label New York. Show all posts
Showing posts with label New York. Show all posts

Saturday, August 25, 2012

Brooklyn Navy Yard may become site of new media and film campus


Most New Yorkers probably think of the Brooklyn Navy Yard as the decrepit out-of-the-way spot you have to schlep to when your car gets towed. But that is beginning to change. The nonprofit Brooklyn Navy Yard Development Corporation and developer Douglas Steiner have put together a proposal to turn the Yard’s abandoned 300-acre Naval Annex Historic Campus into a media, film, and technology complex, which would connect to the already existing 15-acre site of the developer’s Steiner Studios production facility. The complex would cost nearly $400 million and take 12 years to build, and would use the nine historical buildings on the Historic Campus, while creating five new structures. There would be 328,000 square feet devoted to media companies and academic programs, while 100,000 square feet would be used for new stages for film and TV, including the first underwater stage in the country and the first back lot on the East Coast to feature a New York City streetscape.
Steiner has committed nearly $346 million for the new complex. He is seeking $35 million to build out the site’s infrastructure, including water, sewers and electricity: $17.5 million from the Empire State Development Corporation’s Regional Council and an equal amount from the city. (As Steiner sits on the Regional Council, he has reclused himself from the matter.) Feedback on the proposal is expected this fall.
The 60,000-square-foot Greek Revival hospital, built in 1838 from Tuckahoe marble, would be the campus’s centerpiece. “My dream is to have an anchor tenant like Google or Apple,” Steiner told The New York TimesHe is also hoping to build a Hollywood-style back lot, where filmmakers could recreate New York locations. Steiner thinks the lot could also become a draw for tourists.
The developers estimate that the project would create thousands of jobs during its development and construction, and when completed, the 50-acre media campus would employ approximately 6,000 New Yorkers.
What do you think of this new use for the Brooklyn Navy Yard? Let us know in the comments section.

More info: http://production2blog.com/
http://production2blog.com/2012/08/21/brooklyn-navy-yard-may-become-site-of-new-media-and-film-campus/
-----------------------------------------------------------------------------------------------
Thank you for reading us,
Thank you for your time,
Hope you'll found the information you expected,
Don't hesitate contacting us,
Have a great day ☼
Chicas Team ❤
--------------------------------------------------------> Submit to: Show contact info
In order to avoid all the SCAMS, we decide not to publish all the info of the recruter in the job postings. You'll find the Daily Password in our Monthly Newsletter. You can Subscribe to our Newsletter here Thanks. A.

www.chicas-productions.com
------------------------------------------------------------------

Spread the World -------- --> Share




---------------------------------------------------------------------------------------------------

Read more

Monday, August 29, 2011

Call for entries, Paley Center Pitch Workshop. Deadline Aug. 31

The Paley Center for Media in Manhattan is now accepting entries for its 12th annual documentary pitch workshop for emerging directors with work-in-progress films. The late entry deadline is Wednesday, August 31.

http://www.paleycenter.org/pitch2011

This is a competition for a $5,000 finishing grant for a relatively new documentary directors (two or less projects) with a project they've started but haven't finished. This year's sponsor is The Documentary Channel.

To apply, you'll need to submit ten minutes of selects from your project. PCM chooses five finals to pitch their projects in Manhattan in late October in front of an audience and a panel of judges, who choose the winner of the grant.


Have a great day ☼
------------------------------------------------------ --> Submit to: In order to avoid all the SCAMS, we decide not to publish all the info of the recruter in the job postings. You'll find the Daily Password in our Monthly Newsletter. You can Subscribe to our Newsletter here Thanks. A. www.chicas-productions.com
----------------------------------------------------------------------------------- --> Translate post:
Share

-----------------------------------------------------------------------------------
Read more

Saturday, August 27, 2011

New York SAG Election Becoming a Tinderbox (Analysis)

Tom Hanks and Alec Baldwin endorse USAN, while OSU issues a bill of particulars and personal attacks fly in all directions. With both factions pro-merger, members wonder why they're fighting.

United Screen Actors Nationwide, the group that has controlled the New York SAG boardroom for a number of years, announced endorsements Wednesday from Tom Hanks and Alec Baldwin.

The move came a half-day after One.Strong.Union, the breakaway SAG group challenging USAN in the guild's New York elections, issued a detailed statement accusing USAN of incompetence, indifference, conflict of interest and exclusionary practices.

In response, USAN provided THR with a statement from SAG board member Nancy Giles, a USAN member, which said in part "Campaigning is a lot easier if you are willing to simply lie outright about your opponents."

Some SAG members assert that the two groups are simply pre-positioning themselves for power in a single, post-merger union. On that subject, OSU candidate and incumbent New York board member Justin Barrett told THR, "When it comes to positions in the new union? That's the sort of thing USAN folks worry about."

In other words, it's getting personal.
Very personal, in fact: Barrett was previously a "USAN folk" himself. Indeed, OSU's slate is comprised of five formerly-USAN incumbents (and five newcomers), headed by Sam Robards, who is running for New York board president against USAN incumbent Mike Hodge.

Another of the group's key organizers is board member Sue-Anne Morrow, also formerly aligned with USAN. It's essentially an internecine split within what was previously a tightly unified group.
Both factions describe themselves as favoring merger between SAG and AFTRA, but the OSU statement raises objections to USAN's approach to that issue and such other matters as new media, videogame work, the pension and health plans, and inclusiveness.
Meanwhile, as USAN's announcement Wednesday reflects, endorsements have become a key part in the race. With about 30,000 SAG members in New York and a typical voting rate of about 20% - 25%, every vote counts.

In his endorsement statement, Hanks said, "I support the people who have guided SAG during these last months of huge changes in our art and industry. USAN has been vital in leadership positions and has worked ceaselessly to bring SAG and AFTRA together."
Baldwin stated, "I strongly endorse the direction the union is going in now and I encourage all NY SAG members to continue to support USAN."

USAN also pointed to support from such other noted actors as Melissa Leo and S. Epatha Merkerson, as well as Lewis Black, who is running on USAN's slate, and SAG's national, Hollywood-based leaders including president Ken Howard and secretary-treasurer Amy Aquino.
OSU has previously showcased its support from Holter Graham, president of AFTRA's New York Local (who made the endorsement in his individual capacity) and a host of others listed on its website. Its latest statement marks the first time the group has explained its objections and objectives in detail.

The statement lays out a range of issues:
• Merger. OSU describes USAN's position as "any merger will do," while saying that OSU will not "take merger for granted" nor allow it "to fail because of tunnel vision, a lack of due diligence, or personal agenda."

Similarly, OSU's Robards said in an email Monday, "I am 100% committed to merger for all members of both unions. But after hearing some of the language coming from New York SAG Board leaders, I had grave concerns about whether this merger would succeed. I believe our members deserve something better than the `any merger' USAN might be willing to accept."
USAN's Giles responded angrily, "`Any merger will do?' Really? That must be why USAN leaders spent months hearing from members in listening tour meetings throughout the country, and why they are engaged – right now – in an exhaustive process to get every detail right."
The merger plan is still being worked on by a joint SAG/AFTRA group, called G1. The plan is expected to be presented to the unions' national boards in January.

• Videogames. The OSU statement charges that "the USAN Candidate who was the NY chair of the last Interactive Negotiations botched the negotiation of this contract, causing SAG to completely lose jurisdiction in this growing field." The statement then describes videogames as a $70 billion business, and asks "what's 1% of $70 billion?"
The significance of those numbers is unclear. In a statement to THR, OSU cited a New York Times report of a Gartner study for the $70 billion figure. However, the figure includes hardware as well as games themselves, and appears to be worldwide. (Reuters quotes DFC Intelligence as forecasting the 2011 worldwide market for videogame hardware and software at $65 billion.) Domestically, games alone generated about $16 billion in retail sales in 2010, according to NPD Group data.

Part of that sum is retained by the retailer. Game publishers receive a lesser, unknown portion, out of which they pay programmers, designers, writers, actors and others.
The source of the 1% figure is also unclear.
In any case, SAG's data shows that its members' revenue under the guild's interactive agreement ranged from $5 million to $6 million mid-decade, then dropped to $3.1m to $3.5m, and slid most recently to $2.4m in 2010, a $1.1m decline from the year before.
That $2.4m figure is about one-tenth of one percent (0.1%) of SAG members' total reported earnings last year, which amounted to almost $2 billion. Even the industrial/educational contract is five times larger than the interactive deal.
SAG lost jurisdiction over interactive work in 2009 when members voted to reject a contract with the videogame industry. Only 115 members voted, since the voting was held via in-person meetings open only to members who had worked under the contract. SAGWatch reported at the time that the vote was unanimous in favor outside of Los Angeles, but the contract failed 42 to 73 overall, due to opposition in the guild's Hollywood Division.
AFTRA, in contrast, ratified an agreement that year, as well as a renewal last month. But even before the SAG action in 2009, total union coverage (SAG plus AFTRA) was estimated to account for only 20% of videogame acting work.
An OSU spokesperson told THR, "The USAN-NY chair was unimpressive . . . he never took a strong position on the contract he was responsible for negotiating and openly and repeatedly dismissed the value of the contract. No jurisdiction, especially jurisdiction over an exploding area of the industry, should be squandered."

• New Media. The OSU statement characterizes USAN's position on new media as "it's not that important" and says that a USAN leader (not named) "insisted that the only priority (in the 2010 studio contract negotiations) was increasing Pension & Health contributions from employers."
OSU emphasizes the growing importance of new media and argues that, for instance, the "free streaming windows" for ad-supported streaming of television shows should be shortened. "In other words," says the statement, "twenty-eight days of free usage for Lost is just too much."
That's apparently a reference to the new media residuals formula that provides for a non-residual bearing window of 17 days, or 24 days for episodes in a series' first season (or one-shot programs such a TV movies). It's unclear where OSU's 28 day figure comes from.
In his email earlier this week, OSU's Robards charged, "There was no effort to reduce streaming windows; no serious consideration given to alternate models for residuals payments, such as percentage-based residuals." He added, "I do not believe these concerns have been taken seriously by USAN leadership."
SAG and AFTRA did obtain a slight improvement in a different aspect of new media, managing to narrow the definition of experimental new projects, which are essentially outside the unions' jurisdiction.
It's not known whether SAG/AFTRA negotiators sought other new media improvements, though it seems likely that they did. How hard they pressed these issues, and whether they could have or should have held out for more, is something that members debate.

• Pension and Health Plan. The OSU statement says that USAN elected one of its leaders as a trustee of the guild's Pension and Health Plans despite the fact that his spouse was already a trustee. "While both are qualified to serve," the statement says, "a married couple serving simultaneously presents conflicted interest, inhibits debate, and unfairly limits New York representation."
Although not named in the statement, the trustee is understood to be board member and former SAG national president Richard Masur, whose wife, Eileen Henry, is also a trustee.
According to OSU, the New York Division is allotted four seats on the P&H board, which makes it understandable that the group would claim that the appointment of an existing trustee's spouse inhibits debate and limits representation.
What's less clear is how the move "presents conflicted interest," let alone what OSU headlines as an "UNPRECEDENTED CONFLICT OF INTEREST."
In response to a THR question, OSU candidate and incumbent New York board member Andrew Dolan responded, "A conflict of interest lies is having two interests present at one time – no trustee should be wondering how their position on a difficult P&H issue might affect their relationship. And no member should wonder where their trustee's loyalties lie."

• Inclusion. OSU asserts that board members who voted against the P&H trustee's appointment "were subsequently marginalized by the USAN-led board, and kept from serving on committees for which they were qualified." The group also opposes the New York Division's use of a nominating committee to recommend candidates for election to board seats – a system which OSU labels "flawed (and) self-serving . . . promoting entrenchment, not accountability."
The group promises that "unhealthy practices (will) not find their way into the new union." It also criticizes USAN alleged support for a rule change that "(now allows) national board members to resign and choose as their permanent replacement anyone from their division's membership, bypassing the large pool of member-elected alternates."
OSU charges that this rule "promotes institutionalized cronyism."
USAN leader Hodge sees things differently. "What's happening here is that a group of board members are upset that some votes didn't go their way," he said in an email to THR. "Each board member is free – I would say obligated – to vote his or her conscience and the best ideas win majority support," he added.
Robards says otherwise. "When I joined the New York board there was a lot of talk about `voting your conscience,'" he said. "The reality was something quite different. USAN representatives seem to enter every discussion with a predetermined agenda and an entrenched and immovable perspective. There is no possibility of changing minds or seeking out better solutions."
OSU's Joe Narciso added, "if you read our candidate statements and other writings it's clear our concerns are a whole lot bigger than just a few votes."
Hodge counters that the proof is in the pudding. "Our discussions in the New York Boardroom have produced terrific results," he told THR, "and I stand behind them. More important, the members support the direction we've taken. I'm sorry Sam Robards disagrees."

Thank you Hollywood Reporter

Have a great day ☼
------------------------------------------------------ --> Submit to: In order to avoid all the SCAMS, we decide not to publish all the info of the recruter in the job postings. You'll find the Daily Password in our Monthly Newsletter. You can Subscribe to our Newsletter here Thanks. A. www.chicas-productions.com
----------------------------------------------------------------------------------- --> Translate post:
Share

-----------------------------------------------------------------------------------
Read more

UTA Opening New York Office...

The agency's co-head of television talent, Nancy Gates, will work out of the new outpost.
UTA is opening a New York office. It is slated to open in November at 888 Seventh Ave., just south of Central Park. Nancy Gates, co-head of the agency's television talent department will work out of the new outpost. Gates has been based in Los Angeles, working out of UTA's Beverly Hills headquarters.

The size of the office is not known. Gates will be joined in New York by alternative television agent Alison Wallach and talent agent Steven Fisher, who recently left ICM for UTA. The office is also expected to be staffed with new agent hires.

The agency's lack of a New York outpost has made it somewhat of an anomaly. Many agencies, including CAA, WME, ICM, Gersh, APA and Paradigm, maintain offices there.

However, the agency does already have a presence in Manhattan. In 2007, UTA partnered with marketing executive Jarrod Moses to open a branded entertainment firm, United Entertainment Group, which operates separately from the talent agency and is based in New York.
UTA has inked a lease for the new office space, which is currently under construction. The 46-story Seventh Avenue tower is near 57th Street. In addition to film and television, UTA plans to expand its theater, digital media and corporate consulting practices into New York.
UTA is also said to be considering leaving its Wilshire Boulevard digs for new headquarters space. In March, THR reported that the agency had toured the Cesar Pelli-designed, soon-to-be-completed Red Building at the Pacific Design Center in West Hollywood, and was considering a move there. But no deal has been inked.

Thank you Hollywood Reporter

Have a great day ☼
------------------------------------------------------ --> Submit to: In order to avoid all the SCAMS, we decide not to publish all the info of the recruter in the job postings. You'll find the Daily Password in our Monthly Newsletter. You can Subscribe to our Newsletter here Thanks. A. www.chicas-productions.com
----------------------------------------------------------------------------------- --> Translate post:
Share

-----------------------------------------------------------------------------------
Read more

Saturday, August 13, 2011

SAG Election is Drawing Surprising Battle Lines in New York..

oth factions favor merger with AFTRA, but deploy dueling endorsements.
In SAG's New York elections this year, there's a fight between two pro-merger slates: as previously reported, the long-dominant United Screen Actors Nationwide is being challenged by a breakaway group, One.Strong.Union. That challenge apparently came as a surprise.

"When I noticed who it was, I was extremely disappointed," said New York board president and USAN incumbent Mike Hodge. "I had not been given a heads up by anyone in the boardroom that there was any kind of discontent, let alone discontent of that level." As for the motivation for this challenge, Hodge said it had occurred to him that the OSU candidates "may be positioning themselves to be the leaders of the new organization" that would emerge post-merger, but he added he was not certain if that was the case.
Hodge also said he has heard OSU candidates refer to "dead wood" on the USAN slate. "It strikes me that the people that they're referring to are the people that are background actors. I notice that they don't have background actors on their slate. We do. It is important to me that we represent our entire membership."
When asked whether he saw any difference between OSU and USAN on merger and other issues, Hodge responded, "In terms of policy, I see no differences."
OSU's candidate for New York board president is Sam Robards, who described himself and his fellow OSU candidates as "absolutely 100 percent pro-merger." He said his group and USAN "have different perspectives, different approaches" on the issue. "The main thing is that who is elected to the board will have a direct effect on the shape and the success of the merger effort," Robards said. When asked how the New York board would differ under OSU leadership, he made several references to increased "transparency" but did not offer specifics.
"There are specific ideas, and I'll talk about that in the coming weeks," Robards said. "But basically I want to make the work of the board transparent. I want give the membership more opportunities to be directly involved in the work of the guild. Inclusion is really important."
Robards also pointed to his group's website and the massive number of endorsements gathered there. Although Hodge and USAN have received the official backing of SAG national president Ken Howard and secretary-treasurer Amy Aquino, OSU lists among its supporters former New York division president and USAN member Paul Christie and current AFTRA New York local president and first national vice president Holter Graham. Does Hodge feel that the endorsement by one of AFTRA's top officers of a challenger to New York's division president could undermine the merger effort?
"I can't say whether it undermines the merger process," he said. "That depends on how members respond, I suspect. It's regrettable that the sitting AFTRA New York local president would openly oppose the sitting New York SAG president and the board candidates with whom he's running, especially since we are endorsed by the sitting national president and secretary-treasurer."
Graham, for his part, confirmed his endorsement of Robards and OSU to Back Stage. He emphasized he is offering his support as an individual and that it does not reflect any official position of AFTRA. "The reason I got into union work in the first place is to do the best for the members, and I think that that's what [OSU] is looking to do, especially as we go looking to build a new union," Graham said. "The most open minds and the people most energized toward finding the best solutions are the ones that are going to help us the most, and that's who I think these people are."

Thank you Hollywood Reporter

Have a great day ☼
------------------------------------------------------ --> Submit to: In order to avoid all the SCAMS, we decide not to publish all the info of the recruter in the job postings. You'll find the Daily Password in our Monthly Newsletter. You can Subscribe to our Newsletter here Thanks. A. www.chicas-productions.com
----------------------------------------------------------------------------------- --> Translate post:
Share

-----------------------------------------------------------------------------------
Read more

Monday, February 7, 2011

Screening Invite: INVITATION TO SCREENING OF ACCLAIMED DOCUMENTARY "QUEST FOR HONOR' A FILM BY MARY ANN SMOTHERS BRUNI - JANUARY 5, 201

January 3, 2011

NEW YORK - INVITATION TO SCREENING OF ACCLAIMED DOCUMENTARY "QUEST FOR HONOR' A FILM BY MARY ANN SMOTHERS BRUNI - JANUARY 5, 2011


Invitation is below. Please make sure to RSVP if you are interested.

************************************************************************
********

The Muslim Public Affairs Council NY (MPAC NY) and SB Productions


Cordially Invite You and a Guest to A Very Special Screening and
Discussion of the Acclaimed Documentary

QUEST FOR HONOR

A FILM BY MARY ANN SMOTHERS BRUNI

When: Wednesday January 5, 2011  7:30 PM Sharp
Q&A with filmmaker Mary Ann Smothers Bruni
follows screening

Where: The Crosby Street Hotel  79 Crosby Street  NY, NY
10012

RSVP: You must RSVP as seats are limited and are on a
first come/first served
basis and are not reserved. Please RSVP directly via email to:
RSVP@tcdm-associates.com
Please indicate NEW YORK RSVP and that you
are with DOCULINK and if you will be bringing a guest.

Please arrive early to allow for weather conditions in New York.
Questions ˆ contact 213 624 7827

More Info: QUEST FOR HONOR is the moving and compelling film
addressing the practice of honor killings in Kurdistan. The film had
its world premiere at the Sundance 2009 Film Festival and has
played numerous festivals and screenings across the globe including
Kurdistan & Iraq.

This brave film is an in-depth look at the "honor killings" of
women in Kurdistan and those who are fighting to stop the killings.
The film follows the women of the Women's Media Center and the
Women's Shelter and the men in law enforcement, government and
community, as they work together to try to stop these killings.

First time filmmaker Mary Ann Smothers Bruni ˆ who is an author
and photographer ˆ documents these horrible acts and the people who
are fighting to end these senseless killings that take place in
Kurdistan in her first feature film QUEST FOR HONOR. This
documentary feature film follows the tireless media center activists
Runak Rauf, Runak Faranj, and Kalthum Murad, as they work with
journalists, lawmen and members of the KRG to solve the murder of a
widowed young mother, protect the victim of a safe-house shooting,
redefine honor, and stop the killing!! For more info log on to:
www.questforhonor.com

Selected as one of the best documentaries of 2010. For additional
info visit:

www.oscars.org/press/pressreleases/2010/20101118.html
Read more