Venezuela has the largest proven oil reserves in the world. It was once so rich that Concorde used to fly from Caracas to Paris. But in the last three years its economy has collapsed. Hunger has gripped the nation for years. Now, it’s killing people and animals that are dying of starvation. The Venezuelan government knows, but won’t admit it!!! Four in five Venezuelans live in poverty. People queue for hours to buy food. Much of the time they go without. People are also dying from a lack of medicines. Inflation is at 82,766% and there are warnings it could exceed one million per cent by the end of this year. Venezuelans are trying to get out. The UN says 2.3 million people have fled the country - 7% of the population.
Showing posts with label Sundance. Show all posts
Showing posts with label Sundance. Show all posts

Wednesday, March 23, 2011

Sundance London Film Fest to Kick Off in 2012...

"It is our mutual goal to bring to the U.K. the very best in current American independent cinema," Robert Redford says of the joint effort between AEG Europe and the Sundance Institute.
Robert Redford is taking the Sundance brand to London, launching a new film and arts festival that will debut in April 2012.
He's not going it alone. The Sundance Institute is teaming with AEG Europe to stage Sundance London, a four-day event that will be held in the city's sprawling O2 entertainment district.
The inaugural edition of Sundance London will be held April 26-29th, 2012, three months after the Sundance Film Festival in Park City, Utah.
Sundance London will include screenings of titles from the 2012 Sundance Film Festival, live music performances, panels and other cultural programming. AEG owns The O2 venue.
"We are excited to partner with AEG Europe to bring a particular slice of American culture to life in the inspired setting of The O2, and in this city of such rich cultural history," Redford said in announcing the event.
"It is our mutual goal to bring to the U.K., the very best in current American independent cinema, to introduce the artists responsible for it, and in essence help build a picture of our country that is broadly reflective of the diversity of voices not always seen in our cultural exports," he continued.
Located in South East London, The O2 includes an indoor arena -- known as the O2 Dome -- a music club, a cinema, an exhibition space, bars and restaurants. It was built largely within the former Millennium Dome.
The Sundance Institute will curate the film component of the new festival, while AEG Europe will use its industry-leading venue and marketing teams to stage and promote music and other related events.
AEG Europe senior executive director Alex Hill said Sundance London is a natural extension of the music and sporting events held at The O2 since the venue opened in 2007.
"We look forward to extending a warm welcome to the best of the film industry in 2012," Hill said.
In Los Angeles, Sundance Institute executive director Keri Putnam said the organization looks forward to bringing "the most exciting American films from the 2012 Sundance Film Festival" to London.
For years, Redford has bandied about the idea of expanding Sundance's reach. Since its launch in 1978, the annual Sundance Film Festival has become the largest showcase for indie films in the U.S.

Thank you Hollywood Reporter
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Wednesday, February 16, 2011

Events: Sundance Programmer talk this Saturday

On Saturday, Feb. 19, there will be a rare opportunity to hear Sundance Senior Programmer Caroline Libresco speak in person. Caroline is one of the world's premiere programmers of documentaries. Come listen to her muse about what it takes to get into the country's leading film festival, what shocked and inspired her at Sundance 2011, and how indie doc filmmakers can navigate the world of festivals and distribution.

We can only seat 60 people, so please RSVP as soon as possible!

The event will start **promptly at 2pm**, so please leave extra time to park and to get there on time. Parking is free. As always, the event will be a potluck, so please bring food and drinks. Feel free to pass this invitation along to other people who might be interested.

Location: American Film Institute Conservatory
2021 N. Western Avenue, Warner Building Rm#107
Los Angeles, CA


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A.
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Tuesday, February 8, 2011

Industry News: SUNDANCE: Saturday Morning, Buyers Buzzing, Offers In, Nothing Closed...

January 22, 2011

By the early morning hours Saturday, the snow was falling and audiences and indie players were looking forward to shaking off the early, excited jitters and settling into the first-weekend groove.
On the potential sales front, several UTA-repped films have serious interest from buyers, including The Guard, Margin Call and Martha Marcy May Marlene. But few movies strike as a slamdunk in the indie world, and interested buyers are noting that all three require nuanced strategic thinking to make them work in the marketplace.
The Guard, while funny and engaging, has a language barrier built into its Irish humor and strong accents. Margin Call has a name cast (Kevin Spacey, Zachary Quinto, Jeremy Irons) and a timely topic, but its long, talky scenes and granular discussion of the mortgage crisis make it a hard sell to middle America. And Martha Marcy is a well-directed movie with a riveting central performance from Elizabeth Olsen that may have a hard time overriding its relentlessly dark storyline. Even still, all three have fielded concrete offers.
That no deals have closed this early in the fest is far from unusual, and typically suggests either that no one film has knocked everybody out or that buyers and sellers are waiting for the next round of higher-profile premieres to unspool before committing limited funds to anything. Both are likely at this point.
Among those Saturday unveilings are Like Crazy, a competition film about young, long-distance love from Douchebag director Drake Doremus. Harvey Weinstein stopped by a filmmaker dinner for the drama on Friday night, indicating strong anticipation from buyers who have yet to see the film, which stars Anton Yelchin, Felicity Jones and Jennifer Lawrence. Other hot Saturday premieres include My Idiot Brother, the Jesse Peretz-directed family comedy with Paul Rudd, Emily Mortimer, Elizabeth Banks and Zooey Deschanel, and The Devil's Double, another Premieres section entry from director Lee Tamahori that is sparking curiosity about star Dominic Cooper's double turn as the nutty Uday Hussein and his body double.
Those films prompting less charitable buzz thus far include the Roadside Attractions pick-up The Music Never Stopped, Matthew Chapman's dramatic competition thriller The Ledge, which unspooled Friday afternoon, and Braden King's HERE, a Sundance Institute project.

Thank you Hollywood Reporter

A.
www.chicas-productions.com
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Industry News: Sundance Is Selling, but Prices Are Down

January 20, 2011

By BROOKS BARNES

PARK CITY, Utah — Hollywood is back in the mood to buy indie films — even if not at the old prices that came with inflated expectations.

Heading into the Sundance Film Festival, which opened in this ski town on Thursday, if you couldn't quite feel the crackle of commerce in the air, you could certainly hear it in the voices of purchasing executives. They privately (no sense in tipping the competition) rattled off films they were circling.

"On paper, at least, it looks like there is something for every distributor," said Arianna Bocco, head of acquisitions for Sundance Selects/IFC Films.

Among other factors, the strong box-office performance of specialty films over the last six months has created optimism that the art house sector has emerged on the other side of a correction. After a glut of mediocre titles pushed as masterpieces ravaged the indie market, there came the likes of "Black Swan," which cost $13 million to make, has sold more than $75 million and is still playing.

Similarly, the emergence over the last year of video-on-demand services as a significant revenue generator for independent films has eased the concerns of distributors about dwindling DVD sales.

"The marketplace is now equipped to understand that video-on-demand can add real value to a film's distribution cycle," said Kevin Iwashina, managing partner of Preferred Content, a production, sales and finance advisory company.

Several distributors started shopping before the festival even began, with Sony Pictures Classics paying an undisclosed amount for the psychological thriller "Take Shelter" and HBO snapping up the documentary "Project Nim," about a chimpanzee at the center of a 1970s-era sign language experiment.

"You're seeing a lot more people making deals before the festival, in part because the expectations are more realistic," said Tom Bernard, the co-president of Sony Pictures Classics. "Fewer filmmakers are surrounding themselves with four middlemen who are all trying to create the illusion of hype. That strategy generally has not paid off in the past."

On Thursday, Sony announced that it had bought "The Greatest Movie Ever Sold," a documentary about product placement (financed entirely by product placement) from Morgan Spurlock, the director of "Super Size Me." Terms of the sale, handled by Creative Artists Agency, were not disclosed.

Meanwhile, the commercial swirl around the edges of the festival is back. After staying home for the last few years, brands like Levis jeans have returned, outfitting celebrities in free merchandise and staging a parade of dinners and parties — an effort to bask in the festival's heat. In another sign of a thaw after two recession years, Sundance this year added several new corporate sponsors, including two at the $150,000 threshold: Acura and Chase Sapphire, a high-end credit card.

Nobody expects Sundance to return anytime soon to its freewheeling days when Fox Searchlight paid $10.5 million for "Little Miss Sunshine" and Focus Features paid an overheated $10 million for "Hamlet 2." The buzzwords among most sales agents this year are "recalibrated expectations" and "new normal." This essentially means that deals will get done but that prices will be confined to the mid-seven figures or less.

According to several agents, films that easily nabbed $1.5 million in minimum guarantees are now looking at about $250,000.

One reason for the lower prices is a simple matter of leverage. A large number of indie distributors went out of business, and now the big fish that remain (the specialty divisions of the big studios, the Weinstein Company, Lions Gate, Summit Entertainment, Relativity Media) can wait out the sellers.

Filmmakers and financiers have adjusted budgets for their pictures accordingly, said Jamie Patricof, a producer of films including "Blue Valentine," a darling of last year's festival, and the drama "Little Birds," which will have its premiere here on Sunday. "The $3-million-budgeted movies of five years ago are the under-$1-million movies of today," Mr. Patricof said.

Graham Taylor, who oversees finance and distribution for William Morris Endeavor, which is handling sales for seven Sundance titles, agreed. "There has definitely been a market correction," Mr. Taylor said. "The days of inflated budgets are so 2007."

So, what Sundance movies have the best prospects of igniting buyer attention in the coming days? Topping the list of must-see films for most distributors is "My Idiot Brother," a comedy starring Paul Rudd as Ned, a guy who looks for the good in life but always seems to end up with the short end of the stick. Also generating strong interest is "The Details," a dark comedy/love story that stars Tobey Maguire, Laura Linney and Ray Liotta.

"Margin Call" — a thriller set against the backdrop of the financial crisis that stars Kevin Spacey, Jeremy Irons and Demi Moore — also looks promising, according to several buyers. Other strong contenders are "The Devil's Double," the true story of Latif Yahia, an Iraqi army lieutenant who was hired in 1987 to be Saddam Hussein's body double, and "Like Crazy," a romance that is already a winner with critics.

Several smaller distributors are seeking this year's version of "Winter's Bone," a dark $2 million drama that played Sundance last year and has sold almost $8 million at the box office. Could it be "On the Ice," the bleak tale of two seal-hunting boys who live in an Alaskan village?

In the end, everything depends on the screenings that will take place here over the next week. While multiple films look exciting on paper, sales will turn on whether buyers see quality on the screen.

"The market looks strong for films that are really well done," said Rich Klubeck, a partner at United Talent Agency, which is shopping 14 movies at this year's festival. "The market for movies that fall into the category of `I'm surprised that got made' — not so much."

Source: NYT

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Festivals: Sundance lounge and party information

January 14

For those of you going to Sundance this year, we'll be hosting a lounge as well as one of our killer parties. Please feel free to stop by the lounge, hang out, chat, eat & drink. And if you are going to be around for our party - it's a definite must.

The Scenechronize Lounge:
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- The Studio on Main, 608 Main Street
- Friday Jan. 21st through Monday Jan. 24th
- Noon to 6pm
- RSVP: send me an email off group to get your name on the list to get in

The Party:
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- The Social Lodge
- 510 Ontario Boulevard, Park City, UT (3 minutes from Main St)
- Sunday, Jan 23 from 7:30pm to 10:00pm

https://www.scenechronize.com/scemail/sundance11-announcement.html

Best Wishes,
Rhys Ryan
Producer

A.
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