Venezuela has the largest proven oil reserves in the world. It was once so rich that Concorde used to fly from Caracas to Paris. But in the last three years its economy has collapsed. Hunger has gripped the nation for years. Now, it’s killing people and animals that are dying of starvation. The Venezuelan government knows, but won’t admit it!!! Four in five Venezuelans live in poverty. People queue for hours to buy food. Much of the time they go without. People are also dying from a lack of medicines. Inflation is at 82,766% and there are warnings it could exceed one million per cent by the end of this year. Venezuelans are trying to get out. The UN says 2.3 million people have fled the country - 7% of the population.
Showing posts with label Latin America. Show all posts
Showing posts with label Latin America. Show all posts

Friday, April 5, 2013

Hispanic Hollywood': Florida's $296 Million Push to Lure Filmmakers...


With Spanish-language productions from Telemundo and Univision driving its entertainment business, the Sunshine State is hoping to bring in more film productions a l America Movil Scores Olympics Rights in Latin America
The opening sequence of Harmony Korine's Spring Breakers paints the city of St. Petersburg, Fla., where the film was shot, as a buffet of beer, bare breasts and general bacchanalia. But that's just not so, says St. Petersburg/Clearwater Film Commissioner Jennifer Parramore: "We get a few spring breakers, but this is really a family destination."

In fact, when Spring Breakers went scouting for a location for its climactic bikini shootout, finding a neighborhood accustomed to such chaos wasn't easy. "We had to settle on a residential neighborhood," says the film's location manager, Sherrill Smith. "We shot for 24 hours on Good Friday and didn't wind up doing any actual gunfire until around 2 or 3 in the morning. People in the neighborhood knew it was coming, but they had already settled into their beds."

Undaunted by late-night gunfire, Florida has budgeted $296 million since 2010 to attract movies such as Spring Breakers. But since the state's 20 percent production tax credit is limited to expenditures of up to $8 million per project, the biggest film productions tend to spend only a few weeks in the Sunshine State. "We only get pieces of them because, unlike some states, we do have a cap," admits Florida Film Commissioner Shari Kerrigan.


Television is the real driver of Florida's entertainment business. USA's long-running spy show Burn Notice, A&E's cop drama The Glades and Starz's period mob drama Magic City all film on location there. Miami will double for San Diego in USA Network's one-hour drama series Graceland, set to debut in the summer. And NBCU will begin shooting an as-yet-untitled pilot in South Florida in May.
And that's only a fraction of Florida's TV business. Spanish-language programming represents the bulk of television work in the state. "We call Miami 'Hispanic Hollywood,' " says Telemundo Media president Emilio Romano. "It's the gateway to Latin America. All the stars from the Spanish-speaking world love coming here."

Miami-Dade County film and entertainment commissioner Sandy Lighterman agrees. "Spanish-language is absolutely key to our market," she says. "Telemundo currently has three telenovelas shooting full time. They will have four by May. This is largely year-round work, so Spanish-language programming has been extremely lucrative for the county."
STORY: Telemundo Creates Children's Version of 'The Voice'
In May, the network will expand beyond its news and telenovela base to debut a high-profile American Idol-style talent show for children called La Voz Kids.
Telemundo rival Univision does most of its production in Doral, Fla., even though its corporate headquarters are in New York. The network is partnering with ABC to launch Fusion this year; the 24-hour English-language news network in Miami will be geared toward attracting a growing Hispanic-American audience. It is expected to produce 400 cable jobs and will require the construction of a 150,000-square-foot studio. "We really believe South Florida is the news and entertainment capital of the world for Latin America," says Univision Networks president Cesar Conde.
Unlike Hollywood, where diversity remains an issue, Miami has no problem integrating Spanish-language and English-language talent. "The vast majority of my staff is Latino," says Chris Sloan, founder of the Miami-based production company 2C Media, which produces Animal Planet's Swamp Wars and Travel Channel's Airport 24/7: Miami, among other cable shows. "NBC invested so aggressively in Telemundo that it really helped bring in top talent from all over the world. The crews cross-pollinate back and forth with English-language productions very easily. Miami has become a sophisticated place and a world city -- not some backwater like it was back in the day."

Thank you Hollywood Reporter


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Friday, October 12, 2012

Netflix to Launch Streaming Service in Nordic Countries by Year's End...


Norway, Denmark, Sweden and Finland will follow the company's launch in Latin America in 2011 and the U.K. and Ireland earlier this year.

LONDON -- Netflix will launch its streaming video service in Norway, Denmark, Sweden and Finland before the end of the year.

Capital Research Reports 10.5 Percent Stake in Netflix

Netflix Shares Tumble as Subscriber Additions Underwhelm
The company said it would offer streaming of TV shows and movies for one monthly price late in 2012. "Further details about the service, including pricing, content and supported devices, will be announced closer to launch," it said.

About the content the service will offer, Netflix also said it will be "a wide array of Hollywood, local and global TV shows and movies, many with high-definition video and Dolby Digital Plus surround sound."

Amazon-owned video streaming provider LoveFilm, a big Netflix competitor in the U.K., is already a player in Scandinavia.

Netflix, led by CEO Reed Hastings, launched its streaming service in the U.S. in 2007 before adding Canada in 2010. It continued its rollout with a launch in Latin America in 2011 and the U.K. and Ireland in early 2012.

Some observers had predicted that Spain or the Nordic countries could be next for the company, which has cited the cost of international rollouts as a factor hurting its profitability

Thank you Hollywood Reporter


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Thursday, August 23, 2012

VOD grows fast in Latin America..

VOD grows fast in Latin America
New video-on-demand services are sprouting across the region
By JOHN HOPEWELL

MADRID -- Latin America's VOD landscape is rapidly gaining definition.
In September, Netflix launched a streaming-only service throughout the region. Argentina's two big telcos, Telefonica de Argentina and Telecom Argentina, also have rolled out VOD services.

In Brazil, VOD is offered by satcaster Sky and cabler Net. Also in Brazil, NetMovies, Latin America's biggest local Internet VOD operator, streams 4,000 films and series, having cut its first major U.S. studio deal, with Disney, in September.

For independent films, worldwide online VOD player Mubi operates throughout Latin America; Mexico has Canana OnDemand, Argentina has website Comunidad Zoom.

At last month's Ventana Sur, Spain's Filmin, an Internet film/TV VOD company, inked a deal with Colombia distrib Cineplex to develop a service for Spanish-speaking Latin America; Cineplex will contribute content and technology to the Colombia Filmin service, says Filmin CEO Juan Carlos Tous.

Cineplex's big 2012 releases -- "Tree of Life," "Drive," "A Dangerous Method" and "Elena" -- will be among pics available on the online service, says Cineplex prexy Elba McAllister. The Colombia launch will take place in the first half 2012 with 1,000 titles, 300 from Colombia and other Latin American countries, the rest international, mostly Europe-sourced.

Working with local territory partners, Filmin aims to expand throughout Spanish-speaking Latin America.

The Filmin-Cineplex alliance highlights opportunities for VOD in the region. Currently, Latin American online TV/video subscription revenues are minimal: 2010 saw just $1 million from Argentina, $4 million from Brazil and $3 million from Mexico, according to Digital TV Research.

Indie VOD in Latin America "is still at a diaper stage of growth, but it is growing," says Canana partner Pablo Cruz, who adds that Canana's VOD release of its TV series "Soy tu fan" solicited more buys than a normal studio release.

But Canana OnDemand is carried on Cablevision, Mexico City's dominant cabler. Online, straight-to-PC services could face a tougher battle. In Mexico, for instance, people don't want to give away credit card details on the Web, Cruz says.

For Latin America in general, Filmin's challenges are little different from those of Netflix: Piracy is high, broadband penetration is low -- at 36% for Argentina, 24% for Brazil and 35% for Mexico in 2011, according to Screen Digest.

Yet pay TV reaches less than 25% of Latin American households vs. 90% in the U.S., so VOD is far better positioned to give pay TV a run for its money in the region, analysts say.

VOD is also essential in a highly concentrated Latin American cinema exhibition market stuffed with multiplexes that, even more so than in Europe, is dominated by Hollywood blockbusters.

"VOD," McAllister says, "offers huge opportunities for the distribution of Latin American and independent films."

Thank you Variety.
More: www.variety.com


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Monday, January 2, 2012

VOD grows fast in Latin America..

VOD grows fast in Latin America
New video-on-demand services are sprouting across the region
By JOHN HOPEWELL

MADRID -- Latin America's VOD landscape is rapidly gaining definition.
In September, Netflix launched a streaming-only service throughout the region. Argentina's two big telcos, Telefonica de Argentina and Telecom Argentina, also have rolled out VOD services.

In Brazil, VOD is offered by satcaster Sky and cabler Net. Also in Brazil, NetMovies, Latin America's biggest local Internet VOD operator, streams 4,000 films and series, having cut its first major U.S. studio deal, with Disney, in September.

For independent films, worldwide online VOD player Mubi operates throughout Latin America; Mexico has Canana OnDemand, Argentina has website Comunidad Zoom.

At last month's Ventana Sur, Spain's Filmin, an Internet film/TV VOD company, inked a deal with Colombia distrib Cineplex to develop a service for Spanish-speaking Latin America; Cineplex will contribute content and technology to the Colombia Filmin service, says Filmin CEO Juan Carlos Tous.

Cineplex's big 2012 releases -- "Tree of Life," "Drive," "A Dangerous Method" and "Elena" -- will be among pics available on the online service, says Cineplex prexy Elba McAllister. The Colombia launch will take place in the first half 2012 with 1,000 titles, 300 from Colombia and other Latin American countries, the rest international, mostly Europe-sourced.

Working with local territory partners, Filmin aims to expand throughout Spanish-speaking Latin America.

The Filmin-Cineplex alliance highlights opportunities for VOD in the region. Currently, Latin American online TV/video subscription revenues are minimal: 2010 saw just $1 million from Argentina, $4 million from Brazil and $3 million from Mexico, according to Digital TV Research.

Indie VOD in Latin America "is still at a diaper stage of growth, but it is growing," says Canana partner Pablo Cruz, who adds that Canana's VOD release of its TV series "Soy tu fan" solicited more buys than a normal studio release.

But Canana OnDemand is carried on Cablevision, Mexico City's dominant cabler. Online, straight-to-PC services could face a tougher battle. In Mexico, for instance, people don't want to give away credit card details on the Web, Cruz says.

For Latin America in general, Filmin's challenges are little different from those of Netflix: Piracy is high, broadband penetration is low -- at 36% for Argentina, 24% for Brazil and 35% for Mexico in 2011, according to Screen Digest.

Yet pay TV reaches less than 25% of Latin American households vs. 90% in the U.S., so VOD is far better positioned to give pay TV a run for its money in the region, analysts say.

VOD is also essential in a highly concentrated Latin American cinema exhibition market stuffed with multiplexes that, even more so than in Europe, is dominated by Hollywood blockbusters.

"VOD," McAllister says, "offers huge opportunities for the distribution of Latin American and independent films."

Thank you Variety.


Have a great day ☼
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In order to avoid all the SCAMS, we decide not to publish all the info of the recruter in the job postings. You'll find the Daily Password in our Monthly Newsletter. You can Subscribe to our Newsletter here Thanks. A. www.chicas-productions.com
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Sunday, June 5, 2011

Latin America Emerges as Biggest Buyer of Hollywood TV Series, Movies at L.A...

The region has become a growth market thanks to robust economies in key territories and distribution technology that has created new ways to reach consumers.

The largest group of buyers at the recent L.A. Screenings wasn't from Europe or Asia. It was the contingent from the two dozen countries in Latin America and the Caribbean that have emerged as a growth market for Hollywood series and movies thanks to robust economies in key territories, especially Brazil, and distribution technology that has created new paths to reach consumers from Mexico to Argentina.

"Latin America has risen in importance recently because there are so many windows you can sell simultaneously," said Gary Marenzi, president, worldwide television at MGM. "The pay television business is booming, and we have seen our partners down there grow in subscribers and build new channels and new businesses. Basic cable and broadcast are as strong as ever and the S-VOD business is starting to grow."

Unlike other parts of the world, Hollywood's most important customers are not the big local television stations. "The fact is that for most terrestrial television networks in Latin America, our programming is not the must-have and the foundation," said Jeffrey Schlesinger, president of Warner Bros. International Television. "It's much more telenovela-centric kind of broadcasting."

The telenovelas, soap opera-style serial dramas, are made in Latin America, especially in Mexico. Instead, the most voracious customers of American shows and movies are the cable and satellite services, which produce little of their own content.

"Technology has created opportunities in digital media in Latin America," said Peter Iacono, managing director of international at Lionsgate. "The way people consume media is so different than it was a few years back."

It is not just the Americans who have benefited either. "It's any quality content that will perform for them," said Sheila Aguirre, senior vp sales and development, Latin America and Hispanic U.S. at FremantleMedia Enterprises. "We have American series, but we also have British and Australian series. Quite frankly, if you dub them, they all look alike."

Aguirre said Latin America has also grown as a customer because the region was not as hard hit by the 2008-09 recession as Europe, Asia and the U.S. "Latin America was not as affected by the global crisis as many of the other countries," added Aguirre. "They've become more resourceful."
What that means is that they have been through economic, political and social turmoil for years, but at present are, with some exceptions like Venezuela, more economically and politically stable than in past years.

"Certainly the economic environment is much better than it was the last few years," said Armando Nunez, president of CBS Studios International. "The demand for our content remains robust. We were lucky even during the darkest hours of the global financial crisis the demand for American content remained strong."

Thank you Hollywood Reporte

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